tag:blogger.com,1999:blog-26833164131419406382024-03-21T13:02:52.535-07:00George Enescu- Learning JournalAnonymoushttp://www.blogger.com/profile/01170937501487847576noreply@blogger.comBlogger7125tag:blogger.com,1999:blog-2683316413141940638.post-19718403901807680972014-07-06T08:29:00.001-07:002014-07-07T00:39:15.013-07:00<div style="text-align: justify;">
Photoraphic image</div>
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In general terms an image it is an way of transmitting information, made by an representation of an moment or an experience formed on the humans eye retina, an sensorial feeling or an sound who gives us an specific message. The same moment can produce different images for an number of people, as everyone it is attracted of different element, we empathise with every single element that we know, we understand, and in the same time we are captivated by the unknown.</div>
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Throghout all this the image who remains in our mind more often it is the picture, the visual part of an image.</div>
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The message is an presentation element between reality and representation of reality, ,, overall message is formed by a source of emission, a channel of transmission and a point of reception "(Barthes, 1977:15) so a picture becomes a symbol that evokes an image, an idea, a concept or a feeling.</div>
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Symbols becomes part of a system of signs that construct information.<br />
Judging on this we can say that a photographic image it is an visual representation stocked on a format film or digital, who is influenced by the lens distance and camera type, ,,in it`s early years photography was celebrated for its putative ability to produce accurate images of what was in front of its lens, images which were seen as being mechanically produced and thus free of selective discriminations of the human eye and hand."(Wells, 1998:13).<br />
It can be an proof, an document of an happened situation or of a fact recorded on a format, ,, photography validated our experience of being there, which is not merely one of visiting an unfamiliar place, but of capturing the authentic experience of a strange place. Photographs are records and documents which pin down the changing world of appearance." (Wells, 1998: 20)<br />
As of his late start in history , photography was an domain struggling to find his path through art world, and especially the visual arts, ,, photography was a major carrier and shaper of modernism, not only it dislocate time and space, but it also undermined the linear structure of conventional narrative in a number of respects." (Wells, 1998: 19) going to some huge despite for his role, is it an technique or an way of art.<br />
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,,<span style="background-color: white; text-align: start;"><span style="font-family: Georgia, Times, Times New Roman, DejaVu Serif, serif;"><span style="font-size: 14px; line-height: 21px;">Photography must, therefore, return to its true duty, which is that handmaid of the arts and sciences, but their very humble handmaid, like printing and shorthand witch have never created nor supplemented literature. Let photography quick enrich the traveller `s album and restore to his eyes the precision his memory may lack; let it adorn the library of naturalist, magnify microscopic insects, even </span></span></span><span style="font-family: Georgia, Times, Times New Roman, DejaVu Serif, serif;"><span style="font-size: 14px; line-height: 21px;">strengthen, with a few facts, the hypotheses of the astronomer; let it in short be the secretary and record- keeper of whomsoever needs absolute material accuracy for professional reasons." (Baudelaire 1859: 297) was the main Manifesto of Baudelaire in regards of this new; he even actually had sometime some controventional point of view in regards with photography, sometimes feeling like it is an threat, ,,</span></span><span style="background-color: white; font-family: Georgia, Times, 'Times New Roman', 'DejaVu Serif', serif; font-size: 14px; line-height: 21px;">If photography is allowed to deputize for art in some of art’s activities, it will not be long before it has supplanted or corrupted art altogether.” (Baudelaire, 1859: 295)</span><br />
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<span style="background-color: white; font-family: Georgia, Times, 'Times New Roman', 'DejaVu Serif', serif;"><span style="font-size: 14px; line-height: 21px;">So looking backwards to the photography and the photographic image we can say that it is more likely to be in a huge majority of cases an matter fact of being an studied pose, an moment who was more through the rational thinking, and being present as an result of an personal choose: ,, photograph it is an object that has been worked on, chosen, composed, constructed, treated according to professional, aesthetic or ideological norms which are so many factors of connotation; while on the other; this same photograph is not only perceived, received it is read, connected more or less consciously by the public that consumes it to a traditional stock of signs." (Barthes, 1977: 19)</span></span><br />
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<span style="font-family: Times, 'Times New Roman', serif;">Nadav Kander is an well known London based photographer from a background of hebrew family, living and travelling around the world, working in armed air forces, where he come across photography as an technician.</span></div>
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<span style="font-family: Times, 'Times New Roman', serif;">His work varies from landscapes to portraits and camera less experiments, product photography, but the most important part is portraits. <span style="color: #252525; line-height: 22px;">Kander's best known portrait, images of Barack Obama photographed for The New York Times Magazine as a cover feature, made him famous, but more important is a series of 52 full page colour portraits published in one issue of The New York Times Magazine.</span></span></div>
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<span style="font-family: Times, 'Times New Roman', serif;">https://www.youtube.com/watch?v=bP4twN7187g</span></div>
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<span style="font-family: Times, 'Times New Roman', serif;">This particular image on an classic style of black and white, others in colours one of them had intentioned some kind of green tent, or blue, reflects on Obama, in a different manner. He is illustrated different from the official images, more of a natural feeling, more like a kid of snapshot.</span></div>
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<span style="font-family: Times, 'Times New Roman', serif;">Obama looks more having an feeling of an ordinary member of the public on one hand, even than he is an important person and the first colour president of US, somehow Kander try to take the attention from his position and focus to his person, revealing the man Barrack, rather than seeing it as the President Obama.</span></div>
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<span style="font-family: Times, 'Times New Roman', serif;">An reflection really interesting focussed, of course even on the series Obama`s Peoples as they are on the end peoples as us, but who has that little who makes the huge difference.</span></div>
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<span style="font-family: Times, 'Times New Roman', serif;">We can see the president having an normal haircut, an natural head pose, eyes opened looking straight on a side with no contact to the camera maybe not even noticing the artist presence, but still we know very well that this is an pose as the light source is really obvious in his eyes, telling us that still on the other hand this is what the artist want to achieve.</span></div>
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<span style="font-family: Times, 'Times New Roman', serif;">An natural posing more like stealed of a normal person with a huge responsibilities, this is Obama`s portrait, an portrait in witch if we didm`t know it is Obama the subject we could say that it was just an normal shot of a person, maybe a catalogue shooting or perhaps an casting.</span></div>
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<span style="font-family: Times, 'Times New Roman', serif;">Platon it is an London based- photographer with his father being originally a greek national.</span></div>
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<span style="font-family: Times, 'Times New Roman', serif;">He is specialised in portrait work, especially front magazines covers and the commission work for different companies advertising campaign.</span></div>
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<span style="font-family: Times, 'Times New Roman', serif;">Despite Nadav portrait of Obama who has an natural feeling of an famous person, Platon is well known for an portrait of an opposite person in a opposite way. The portrait it is portrait of Vladimir Putin commissioned for an british publication, Time Magazine 2007 , as man of the year section, and represented as an powerful man, an scarring look, and even giving him an status of the Tsar, an status used in the last century for the Russians Kings as they were the supreme power.</span></div>
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<span style="font-family: Times, 'Times New Roman', serif;">This idea of looking to an pearson, and giving him the power of institution he run, it is at least for me wrong, an conception who is not making justice to the old Tsar`s but not even to the new russian leadership, making him totally away of this open world policy, giving the impression of undeserved power, for a man who has an limited time to run the institution, not like the institution who lives as long as the country is still alive.</span></div>
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<a href="https://www.youtube.com/watch?v=JYdmGrq-560" style="color: #888888; text-decoration: none;" target="_blank"><span style="font-family: Times, 'Times New Roman', serif;">https://www.youtube.com/watch?v=JYdmGrq-560</span></a></div>
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Anonymoushttp://www.blogger.com/profile/01170937501487847576noreply@blogger.com0tag:blogger.com,1999:blog-2683316413141940638.post-3341112660010540862014-07-04T00:30:00.001-07:002014-07-07T00:20:49.481-07:00<div style="text-align: justify;">
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<span style="font-family: Times, Times New Roman, serif;">object and body</span></div>
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<span style="font-family: Times, Times New Roman, serif;">21st-century art is a burgeoning field of practice, research, and publication, making it an incredibly dynamic field of study. Many important topics have been resonating in the new century and inspiring new thinking and scholarly debate, such as the surge of bio art in response to scientific research in the life sciences, and the critical theory known as relational aesthetics that developed in response to an increase in art that invites viewers’ participation and interaction. Other topics that were much-discussed in the late 20th century remain vital for the analysis of 21st-century art and visual culture, including semiotics, post-modernism, and feminism.</span></div>
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<span style="font-family: Times, Times New Roman, serif;">Art of the 21st century emerges from a vast variety of materials and means. These include the latest electronic technologies, such as digital imaging and the internet (see, for example, New media art in India); familiar genres with a long history that continue to be practiced with great vigor, such as painting (see, for example, Julie Mehretu and Shahzia Sikander); and materials and processes once associated primarily with handicrafts, re-envisioned to express new concepts (see Craft and contemporary art). Many artists regularly and freely mix media and forms, making the choices that best serve their concepts and purposes. Activities vary from spectacular projects accomplished with huge budgets and extraordinary production values to modest endeavors that emphasize process, ephemeral experiences, and a do-it-yourself approach. The notion of influences has also shifted with changes in communications and technology; every location around the world has artists who respond to local geographies and histories as well as the sway of global visual culture.</span></div>
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<span style="font-family: Times, Times New Roman, serif;"> Globalization</span></div>
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<span style="font-family: Times, Times New Roman, serif;">A key feature of the art scene in the 21st century (and of many sectors of 21st-century life) is the impact of globalization – the accelerating interconnectivity of human activity and information across time and space. Aided by the internet and mass media, awareness of the vitality of contemporary art in localities around the globe has grown exponentially. Anyone with access to the internet can follow developments in Shanghai, Sydney, São Paulo, or Nairobi. Simultaneously the increased movement of artists across borders and oceans has added to the intermixing of influences and artistic vocabularies. For example, Wangechi Mutu, originally from Kenya, pursued further education in South Wales and then in the United States. Her collaged images of women are informed by African tribal arts, 20th-century European and American collage artists, and the latest illustrations from fashion, pornography, and medical sources.</span></div>
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<span style="font-family: Times, Times New Roman, serif;">The meaning and consequences of globalization are much debated by scholars. Economically and politically, is globalization a force for growth and freedom in societies everywhere, or does it contribute to further exploitation of developing regions by the wealthy? Does globalization work in different ways in different localities?</span></div>
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<span style="font-family: Times, Times New Roman, serif;">Regarding globalization and art, do practices in Asia, Africa, the Middle East, and elsewhere challenge the traditional assumptions and value judgments that are the basis of the Western canon? Are Western institutions rethinking that canon or simply adding art from other places to their rosters in a token and uncritical gesture of inclusivity? How do curated exhibitions that address themes of globalization represent artists from various parts of the world? The expanding art market and the proliferation of biennials and art fairs helped a select group of artists from every continent to gain an international presence; but have the underlying structure and values of the art market changed otherwise?</span></div>
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<span style="font-family: Times, Times New Roman, serif;">Visual culture</span></div>
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<span style="font-family: Times, Times New Roman, serif;">In the 21st century visual culture has grown as a recognized interdisciplinary field of study, taking a multi-faceted approach to understanding how images of all types communicate and participate in the construction of identity, gender, class, power relationships, and other social and political meanings and values. Medicine, science, politics, consumer culture, and religion and spirituality are some of the arenas that visual culture studies examine along with art. Visual culture scholars analyze film, television, graphic novels, fashion design, and other forms of popular culture in addition to established fine art media such as painting, and they draw upon many methodologies and theories, including semiotics, sociology, psychoanalysis, reception theory, feminism, and the concept of the gaze, to name a few.</span></div>
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<span style="font-family: Times, Times New Roman, serif;">Just as visual culture scholars are examining images and media of all types so, too, are 21st-century artists drawing inspiration, imagery, materials, and concepts from diverse areas of culture, moving well beyond influences from the history of fine art and design. The world of professional sports and fanatic fans has been a topic for Paul Pfeiffer, while the commercial television industry has informed various video installations by Christian Jankowski.</span></div>
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<span style="font-family: Times, Times New Roman, serif;">Most contemporary artists do not draw rigid distinctions between high art and popular culture. For instance, a number of contemporary artists embrace traditional techniques of fiber art but use them to create unorthodox forms or address current social and political issues. Along these lines, Ghada Amer has used thread to embroider on canvas repeated motifs of nude women engaged in sexual acts, then partially obscured the embroidered images with gestural painted brushstrokes. Her themes include the expression and repression of female sexuality and eroticism in both Western and Islamic societies. Another example of intermixing visual cultures is the complex array of interactions between science and contemporary art, with many artists engaging with scientific imagery and ideas in their practice. For example, Wim Delvoye’s ongoing series called Cloaca imagines humans as cyborgs, representing the human digestive system as a kind of biomechanical contraption. Finally, many 21st-century artists are deeply affected by their immersion in global visual culture, which is now made vividly present through online networks. Many artists maintain a personal website, and some create art expressly for dissemination through social media. As always, new technologies provide new opportunities and challenges.</span></div>
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<span style="font-family: Times, Times New Roman, serif;">Body</span></div>
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<span style="font-family: Times, Times New Roman, serif;">Artist portrait</span></div>
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<span style="font-family: Times, Times New Roman, serif;">One of the oldest iconic portraits that guide me is the Leonardo`s self portrait from back in the 16 th century. It is called the portrait of a man in red chalk, trying to represent a man portrait in his late 60`s , an portrait who is trying to say more than the character of his subject, telling to us an completely story of the cultural period. Is can describe Leonardo at his best, a man who embrace the new, who try to make everything in a completely different manner, as we can see the man is facing the other side his attention, has the had tilted to left (type of representation witch we can find in prophets or philosophers), and even the idea to use just simple basic elements like chalk and paper ( making it really fragile, and because of the age now has some unrepairably damages) not a real oil portrait suggest this époque of a renaissance new type of man.</span></div>
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<span style="font-family: Times, Times New Roman, serif;">Another thematic portrait of art world dated slightly before the Leonardo one, is the Albert Durer portrait as a young artist called Self portrait at 26. From the name we can say sure that this is a self portrait, comparing to Leonardo one were we just presume.</span></div>
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<span style="font-family: Times, Times New Roman, serif;">In the manner that Leonardo presents himself as a different person, slightly supreme, this portrait has a bit more of a description of the enviroment ( the outside world from the window ) and the time period; it is more like a story of his experience <span style="background-color: white; color: #252525; line-height: 22px; text-align: start;">during his visit to Italy. The middleground of the pleasing flat plain and lake may represent his travels from 1492 to 1497, yet they are shadowed by steep mountainous glaciers; forebodings of what lay in store. </span><span style="background-color: white; color: #252525; line-height: 22px; text-align: start;">Dürer's youthful character was enthusiastic, adventurous and inhibited, and after he left his hometown of Nuremberg in 1490 to travel as journeyman </span><span style="background-color: white; color: #252525; line-height: 22px; text-align: start;">painter he was able to live his early youth with abandon. By the time this portrait was painted he was back home, and old enough to begin to accept responsibilities.</span></span></div>
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<span style="background-color: white; color: #252525; text-align: start;"><span style="font-family: Times, Times New Roman, serif; line-height: 22px;">This particular feeling of look back we can see in his eyes expression, the left one being slightly upper in position, wondering on the life he lived, and somehow looking onward for his future, somehow detached of his youth crazy experience.</span></span></div>
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<span style="font-family: Times, Times New Roman, serif;">On the other hand, one of his more famous portraits is this one, an more matured person with a different approach, but on a difference of just 2 years. His main inspiration we can say that it is religion, the christian representation of Jesus Christ, the most important one, called after the greek therm of Pantokrator (<span lang="grc" style="background-color: white; color: #252525; line-height: 22px;" xml:lang="grc">πᾶν</span><span style="background-color: white; color: #252525; line-height: 22px;">, </span><span style="background-color: white; color: #252525; line-height: 22px;">pan</span><span style="background-color: white; color: #252525; line-height: 22px;"> </span><span style="background-color: white; color: #252525; line-height: 22px;"> pantos = all </span><span style="background-color: white; color: #252525; line-height: 22px;">and </span><span lang="grc" style="background-color: white; color: #252525; line-height: 22px;" xml:lang="grc">κράτος</span><span style="background-color: white; color: #252525; line-height: 22px;">,</span><span style="background-color: white; color: #252525; line-height: 22px;">kratos= creator</span>), <span style="background-color: white;"><span style="color: #252525;"><span style="line-height: 22px;">Almighty or All-powerful, Creator. This pose ass well as this status is the supreme status, witch define Duhrer as a person who aspire to the perfectionism and have an very specific focus on symetry, and all the last details has an huge importance. </span></span></span><span style="background-color: white; text-align: start;"><span style="color: #252525;"><span style="line-height: 22px;">The portrait commemorates a turning point in his life and in the period era: the year 1500, displayed in the centre of the upper left background field, is here celebrated as epochal, and once again a sign of perfectionism. Moreover, the placing of the year 1500 above his signature initials, A.D., gives them an added meaning as an abbreviation of anon </span></span></span><span style="color: #252525;"><span style="line-height: 22px;">domini.</span></span></span></div>
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<span style="color: #252525;"><span style="font-family: Times, Times New Roman, serif; line-height: 22px;">On the bottom part of this image there is an more important detail, the presence of his hand in form of blessing, an kind of Good Lord blessing offered perhaps to us his discipoles. </span></span></div>
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<span style="color: #252525;"><span style="font-family: Times, Times New Roman, serif; line-height: 22px;">The lightning choice we can see the influence of the italian art world experience he uses a lot of the renaissance technique, chiaroscuro creating an big depth and contrast and maybe defining his idea of perfectionism, witch realistically can not be achieved, therefore been more like a mask</span></span></div>
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<span style="font-family: Times, Times New Roman, serif;">Other portrait that has my attention it is the Van Gogh self portrait, called <span style="background-color: #f9f9f9; color: #252525; line-height: 17px;">Self-portrait without beard</span><span style="background-color: #f9f9f9; color: #252525; line-height: 17px;">, from September 1889, an one of a kind who tells us a lot of his life, his experiences.</span></span></div>
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<span style="background-color: #f9f9f9;"><span style="color: #252525;"><span style="font-family: Times, Times New Roman, serif; line-height: 17px;">As we know Van Gogh experienced a lot throughout his lifetime, many times experienced severe situations like poverty or loneliness, but despite this somehow he managed to present us a real strong person illustrated in his self- portraits. An person who sometimes was having different luxurious elements and behaviour, like hats or tobacco pipe, or working in front of his painting easel.</span></span></span></div>
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<span style="font-family: Times, Times New Roman, serif;"><span style="background-color: #f9f9f9;"><span style="color: #252525;"><span style="line-height: 17px;">But in this portrait, we have the real Van Gogh, we have the man who is telling us his story, his life, his critic moment and somehow embrace the idea, his posing still, proofing that he has dignity and expecting the worse, but his eyes are really crying somehow, full of sadness and depress, slightly looking downwards, even the background has a round shape, an sign of his </span></span></span><span style="color: #252525;"><span style="line-height: 17px;">unconsistancy.</span></span></span></div>
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<span style="background-color: #f9f9f9; color: #252525; font-family: Times, Times New Roman, serif; line-height: 17px;">This was Van Gogh's last self-portrait, given as a birthday gift to his mother.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjRfc8mOAqG3p3SViy2ZTfqnZVHicTcljdVefDICQF0vkWqkM8MMEo8E4dcxTFoD9UVIOs6JbJSlSBIqVuBb7A35F-nuWv8tXzPFD3i1fiaLfdZzOkvDwZzsvGqFhm_OI-xrhyphenhyphen9IkYEMGTp/s1600/Screen+Shot+2014-07-06+at+02.40.12.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: Times, Times New Roman, serif;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjRfc8mOAqG3p3SViy2ZTfqnZVHicTcljdVefDICQF0vkWqkM8MMEo8E4dcxTFoD9UVIOs6JbJSlSBIqVuBb7A35F-nuWv8tXzPFD3i1fiaLfdZzOkvDwZzsvGqFhm_OI-xrhyphenhyphen9IkYEMGTp/s1600/Screen+Shot+2014-07-06+at+02.40.12.png" height="320" width="299" /></span></a></div>
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<span style="font-family: Times, Times New Roman, serif;">Coming to start of the 20th century, photography begin to be used on a large scale, and as was expected at first it was representing an large and cheap way of self expression, of a portrait.</span></div>
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<span style="font-family: Times, Times New Roman, serif;">There are a couple of artist who adopted photography and used it in a creative way to create an original style; first the most known maybe is the Salvador Dali portrait took by Philip Helsman, an artist gone from Austria to France experienced the nazist policy, and even prison.</span></div>
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<span style="background-color: white; font-family: Times, Times New Roman, serif; line-height: 20.736000061035156px; text-align: left;">In 1941 Halsman met the surrealist artist Salvador Dalí and they began to collaborate in the late 1940s. </span></div>
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<span style="background-color: white; font-family: Times, Times New Roman, serif; line-height: 20.736000061035156px; text-align: left;">This way of collaboration between the new form of art and the classic painting create iconic images, and the portrait famous and really representing Dali, the person who embrace the new ideas and the form of expression different from the normal regular arts, an outcome of an portrait who has an technical perfection on it but more than that it is an real intriguing representation.</span></div>
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<span style="background-color: white; font-family: Times, Times New Roman, serif; line-height: 20.736000061035156px; text-align: left;">Dali is the person who look for different, the philosophic way of representation the outcome with his eyes in a perhaps unreal pose looking like he is digging for an interrogative presion, and the touch on his moustache an sense of artistic touché, like a signature and an feeling of maybe animal instinct feline.</span></div>
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<span style="background-color: white; font-family: Times, Times New Roman, serif; line-height: 20.736000061035156px; text-align: left;">Another distinctive element is the slight presence of his neck and corner of his body telling us to never focus on his body looking but straight to his mind, his thinking.</span></div>
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<span style="font-family: Times, Times New Roman, serif; margin-left: 1em; margin-right: 1em;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGjlvY0Zpaea4Sx7ZCwAa8oPnPrufPE0rcdBFxFl9vnyars1LCiHQQ2HEONAinTUWA7vKpCvBFIvJyNpAY_MtbVSD0hFigevRZ4KCxtpyH80j9ylW3ntyqeKt6tK0vjONoT0CZ0GHiK_XE/s1600/Screen+Shot+2014-07-06+at+03.08.21.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGjlvY0Zpaea4Sx7ZCwAa8oPnPrufPE0rcdBFxFl9vnyars1LCiHQQ2HEONAinTUWA7vKpCvBFIvJyNpAY_MtbVSD0hFigevRZ4KCxtpyH80j9ylW3ntyqeKt6tK0vjONoT0CZ0GHiK_XE/s1600/Screen+Shot+2014-07-06+at+03.08.21.png" height="320" width="190" /></a></span></div>
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<span style="font-family: Times, Times New Roman, serif;"><span style="background-color: white; line-height: 20.736000061035156px; text-align: left;">From this collaboration we have an later representation looking to his art work and his surreal style, this is the</span><span style="background-color: white; line-height: 20.736000061035156px; text-align: left;"> 1948 work Dali Atomicus, witch explores the idea of suspension, depicting three cats flying, a bucket of thrown water, and Salvador Dalí in mid air. The title of the photograph is a reference to Dalí’s work Leda Atomica which can be seen in the right of the photograph behind the two cats. Halsman reported that it took 28 attempts to be satisfied with the result. Halsman and Dali eventually released a compendium of their collaborations in the 1954 book Dali’s Mustache, which features 36 different views of the artist’s distinctive mustache. Another famous collaboration between the two was </span><span style="line-height: 20.736000061035156px; text-align: left;"><a href="http://en.wikipedia.org/wiki/File:Dali_women_skull.jpg" style="color: black; text-decoration: none;">In Voluptas Mors</a></span><span style="background-color: white; line-height: 20.736000061035156px; text-align: left;">, a surrealistic portrait of Dali beside a large skull, in fact a tableau vivant composed of seven nudes. Halsman took three hours to arrange the models according to a sketch by Dali. A version of In Voluptas Mors was used subtly in the poster for the film The Silence of The Lambs, and recreated in a poster for the film The Descent.</span></span></div>
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<span style="font-family: Times, Times New Roman, serif;">For me another artist from the same era and location, as Paris was the centre of the art world, but with a different background, abstract sculpting, it is the romanian born, Constantin Brancusi the student of the well known artist Auguste Rodin. He ass well as Dali has revolutionised the art world and especially sculpting, but he works and experimented with different arts like photography in this instance.</span></div>
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<span style="font-family: Times, Times New Roman, serif;">Being an well known and successful artist in Paris he had access to the best camera equipment and started to use it at first as an documentary object at first but eventually he started to take self portraits ass well.</span></div>
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<span style="font-family: Times, Times New Roman, serif;">In this particular case we have an mid `30s portrait of him, in his atelier having an moment of silence, maybe meditation. We can see the idea of perfectionism and symmetry on this image, but also are represented some works of his witch later on will make him famous.</span></div>
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<span style="font-family: Times, Times New Roman, serif;">He has this feeling of loneliness, of sadness, even though it is an well known fact that he was really integrated in the social and art life of his Paris, his<span style="background-color: white; color: #252525; line-height: 26.400001525878906px;"> circle of friends included artists and intellectuals as</span><a href="http://en.wikipedia.org/wiki/Amedeo_Modigliani" style="background-color: white; background-image: none; color: #0b0080; line-height: 26.400001525878906px; text-decoration: none;" title="Amedeo Modigliani">o</a> Amadio Modigliani and Pablo Picasso( with witch he had the common interest in mythology and the african mask representation)<span style="background-color: white; color: #252525; line-height: 26.400001525878906px;">, Man Ray, Marcel Duchamp. Even with his large friends circle he feel like an immigrant always rememorize his life in early romaninan village and traditions.</span></span></div>
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<span style="background-color: white;"><span style="color: #252525; font-family: Times, Times New Roman, serif;"><span style="line-height: 26.400001525878906px;">This feeling it is largely present in the artists life as they belong to this world, have an social circle but they always are alone, with their dreams, their up and downs, this is perhaps the opposite of the other artists i </span><span style="line-height: 26px;">analysed, as the others had an sort of more pride and overall feeling of supreme position, Brancusi </span><span style="line-height: 26.400001525878906px;"> way of looking downwards and even the fact that his legs are cut in the edge of the picture suggest he is always having an fight inside and the big need of leaving near his roots.</span></span></span></div>
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<span style="font-family: Times, Times New Roman, serif;">Kander Nadav</span></div>
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<span style="font-family: Times, Times New Roman, serif;">Nadav Kander is an well known London based photographer from a background of hebrew family, living and travelling around the world, working in armed air forces, where he come across photography as an technician.</span></div>
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<span style="font-family: Times, Times New Roman, serif;">His work varies from landscapes to portraits and camera less experiments, product photography, but the most important part is portraits. <span style="background-color: white; color: #252525; line-height: 22px;">Kander's best known portrait, images of Barack Obama photographed for The New York Times Magazine as a cover feature, made him famous, but more important is a series of 52 full page colour portraits published in one issue of The New York Times Magazine. These portraits (from a series titled Obama's People) were of the people surrounding President Barack Obama, from Joe Biden (Vice President) to Eugene Kang. The same issue also included a series of cityscapes of Washington DC also taken by Kander. This is the largest portfolio of work by the same photographer The New York Times Magazine has ever showcased in one single issue</span><span style="background-color: white; color: #252525;"><span style="line-height: 11px;">, an proof of the importance of his work.</span></span></span></div>
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<span style="font-family: Times, Times New Roman, serif;">https://www.youtube.com/watch?v=bP4twN7187g</span></div>
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<span style="font-family: Times, Times New Roman, serif;">An article about the Nadav exhibition on National Portrait Gallery explain a bit of his approacing and style.</span></div>
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<span style="font-family: Times, Times New Roman, serif; font-size: small; font-weight: normal;">Aiming High: The Portraiture Of Nadav Kander by Nicole Rae</span></h3>
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<span style="font-family: Times, Times New Roman, serif;"> (http://fadedandblurred.com/articles/aiming-high-the-portraiture-of-nadav-kander/)</span></div>
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<span style="font-family: Times, Times New Roman, serif;">,, <span style="background-color: whitesmoke; color: #555555; line-height: 24px;">He has a brilliant eye that very few photographers have and is able to shoot extremely unique images. His portraits are amazing. He seems to be able to capture something in people that you don’t see very often. They are genuine in that they never look posed or overly polished. He explains how he achieves this in the video, saying that he doesn’t talk much at all during shoots. He likes the connection and tension that happens when you first meet someone and lets that feeling work for him. He puts his trust in his instincts, knowing he and the subject can work together to get what he wants without using a lot of words, relying instead on body language. He says, “I really like the connection that human beings have when there isn’t a great knowledge, like when you first meet people. I would find it very, very hard to photograph a friend well, or to photograph someday that I knew well. I think that that tension when you first meet people allows you to communicate without speaking.” In every photography class I’ve ever taken, when working with people, the advice has always been to talk to your subject and make them feel comfortable. That’s when, supposedly, you get the most honest and interesting photographs. Kander, however, is just the opposite and has developed a non-verbal approach, even a shorthand, if you will, that allows him to make incredible images that really capture the essence of his subjects. "</span></span></div>
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<span style="font-family: Times, Times New Roman, serif;">Barrack Obama</span></div>
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<span style="font-family: Times, Times New Roman, serif;">This particular image on an classic style of black and white, others in colours one of them had intentioned some kind of green tent, or blue, reflects on Obama, in a different manner. He is illustrated different from the official images, more of a natural feeling, more like a kid of snapshot.</span></div>
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<span style="font-family: Times, Times New Roman, serif;">Obama looks more having an feeling of an ordinary member of the public on one hand, even than he is an important person and the first colour president of US, somehow Kander try to take the attention from his position and focus to his person, revealing the man Barrack, rather than seeing it as the President Obama.</span></div>
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<span style="font-family: Times, Times New Roman, serif;">An reflection really interesting focussed, of course even on the series Obama`s Peoples as they are on the end peoples as us, but who has that little who makes the huge difference.</span></div>
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<span style="font-family: Times, Times New Roman, serif;">We can see the president having an normal haircut, an natural head pose, eyes opened looking straight on a side with no contact to the camera maybe not even noticing the artist presence, but still we know very well that this is an pose as the light source is really obvious in his eyes, telling us that still on the other hand this is what the artist want to achieve.</span></div>
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<span style="font-family: Times, Times New Roman, serif;">An natural posing more like stealed of a normal person with a huge responsibilities, this is Obama`s portrait, an portrait in witch if we didm`t know it is Obama the subject we could say that it was just an normal shot of a person, maybe a catalogue shooting or perhaps an casting.</span></div>
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<span style="font-family: Times, Times New Roman, serif;">Another interesting portrait is this one who has different reflections and inspirations looking even to the old neo classicism art, the painting Marat Assasinated of Jaques Louis David.</span></div>
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<span style="font-family: Times, Times New Roman, serif;">The subject is an well known actor, who is posing as an lying down almost death, in an immortal feeling of science fiction movie, looking through an window, giving an effect of ghost presence or soul lifting to sky in an outfit unreal, an white shirt of the last century inspiration and an jeans/trousers in black, a modern touch, reflecting to the new and old in the same body, but a body with no life.</span></div>
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<span style="font-family: Times, Times New Roman, serif;">The hand left a bit suspended in air is telling us that it has an unfinished story to tell or maybe an wish to complete, often an frustrating moment specific to the dying persons, like Marat holds the letter in his hand, another link to the old part.</span></div>
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<span style="font-family: Times, Times New Roman, serif;">Gael Garcia Bernal Woman on Tv</span></div>
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<span style="font-family: Times, Times New Roman, serif;">Another portrait of the Nadav work has my attention by the way he use and links 2 different classic lightning technics like chiaroscuro and the rembrandt lightning, used in a mysterious way.</span></div>
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<span style="font-family: Times, Times New Roman, serif;">The subject it is an american well known comedian, represented in a interesting manner, looking straight to the lightning source with his eye, when his head it is a bit tilted, creating this effect dramatic of highlitning important parts of face anatomy.</span></div>
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<span style="font-family: Times, Times New Roman, serif;">Having only one eye covered in light gives us the impression of covering a part of his character, teaching us to expect the unexpected, and even the contrast with the black background is giving the impression of a man mask rather than an portrait.</span></div>
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<span style="font-family: Times, Times New Roman, serif;">Another portrait from Nadav, this time a woman portrait, having Florence Welch as an subject, an english singer and musician, presented in a manner reflecting to the old renaissance painting of Raphael Maddona, with a green tent, an posure with large gesture a bit trying to discover the woman shape but keeping it in a classic and feminine way.</span></div>
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<span style="font-family: Times, Times New Roman, serif;">She is having an lack of confidence in her eyes looking towards the left corner, begging more for an divine action, searching for an help of an authority.</span></div>
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<span style="font-family: Times, Times New Roman, serif;">Florence Welch- Florence and the Machine</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjbRrnubkm-lo1H_5WtY2vEwLJAjbp3ttvZjNWGsks9CYA5bdQjRNk3b586ksCj2Li9tuZhNRLRcB6DEFGsX0HGRg2lVP10BSxK5xaZtFabPwPtBSAGCnmiD_MYfopL-kcp52mafI5Cts91/s1600/Screen+Shot+2014-07-04+at+15.26.51.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: Times, Times New Roman, serif;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjbRrnubkm-lo1H_5WtY2vEwLJAjbp3ttvZjNWGsks9CYA5bdQjRNk3b586ksCj2Li9tuZhNRLRcB6DEFGsX0HGRg2lVP10BSxK5xaZtFabPwPtBSAGCnmiD_MYfopL-kcp52mafI5Cts91/s1600/Screen+Shot+2014-07-04+at+15.26.51.png" height="320" width="250" /></span></a></div>
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<span style="font-family: Times, Times New Roman, serif;">Platon</span></div>
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<span style="font-family: Times, Times New Roman, serif;">Platon it is an London based- photographer with his father being originally a greek national.</span></div>
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<span style="font-family: Times, Times New Roman, serif;">He is specialised in portrait work, especially front magazines covers and the commission work for different companies advertising campaign.</span></div>
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<span style="font-family: Times, Times New Roman, serif;">Despite Nadav portrait of Obama who has an natural feeling of an famous person, Platon is well known for an portrait of an opposite person in a opposite way. The portrait it is portrait of Vladimir Putin commissioned for an british publication, Time Magazine 2007 , as man of the year section, and represented as an powerful man, an scarring look, and even giving him an status of the Tsar, an status used in the last century for the Russians Kings as they were the supreme power.</span></div>
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<span style="font-family: Times, Times New Roman, serif;">This idea of looking to an pearson, and giving him the power of institution he run, it is at least for me wrong, an conception who is not making justice to the old Tsar`s but not even to the new russian leadership, making him totally away of this open world policy, giving the impression of undeserved power, for a man who has an limited time to run the institution, not like the institution who lives as long as the country is still alive.</span></div>
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<span style="font-family: Times, Times New Roman, serif;">Searching through the Art section of his website i come across some images, featuring obviously artists in their environment, an former approach which i used it ass well, maybe because i had a lack of inspiration and clue of research, but having an pose more like surreal, but still connected, like being an whole body with their work.</span><br />
<span style="font-family: Times, Times New Roman, serif;">Representing the idea of born, the mother artist is close to his work and somehow trying to protect it, an allusion maybe to the art world and perhaps the lack of proper exhibits of contemporary art work.</span><br />
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American author Naomi Klein book is grossly out of bed to petty concerns that suffocates us, if not all clocks day. By reading it, somewhere on page 200, I wrote briefly of a good friend, "a terrifying reading." Now that we have closed the volume, continue to endorse the statement by then. Shock doctrine ... requires us first as a contemporary history book, dense and rigorously documented. But most of the hundreds and thousands of details that we are made aware, the work of scholars deal, is the analysis of a paradigm whose coordinates we appear to be difficult if not impossible to refuse. It is a work prepared by a journalist whose raw material is the daily media gained in the past 50 years, an impressive amount of information extracted, screened and carefully triturated in an effort worth putting into perspective history of mentalities. It is a good quality editorial longest that I have ever read.</div>
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A reading (things) terrible, of course, how could it be otherwise approach cynicism that lies behind most of the economic theories that are presented to us today as technical, purely axiomatic that, above and beyond any debate alternative . When I started it, if I were asked, I would be defined without blinking as a human right. At its end, I understood that right-left binomial born in the days before the French Revolution no longer has any sense, just outside unless we are willing to equate the right, on the one hand and astronomical planetary scale enrichment a few people at the expense of processing millions of other people in humanity surplus. If neoconservatism is all that remains of Joseph de Maistre's right, I personally have nothing in common with this monstrosity. And if left requires access all God's children to eat their fill, a warm and care, then yes, I have always been and are a lefty.</div>
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Weapons and caviar</div>
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Home Shock Doctrine thesis is that something fundamental has changed in recent years, especially since the fall of communism. Something impact so disconcerting that not only deserves to be understood, even should, as far as at least virtually, to all of us and each one, perhaps in terms of personal survival. If someone would ask me personally how profound this change, I would say that as important as the transition from matriarchy to patriarchy in case something ever held. What is it? Collective education impregnated hundred years following axiom: prosperity exist in peacetime, while war brings famine, disease, poverty and destruction. Recent behavior of a tiny economic indicator seems to contradict the wisdom of nations: his name is guns-to-caviar index.</div>
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Its calculation is based on the sale of fighter jets and aircraft for managers of international corporations. The idea is simple: you go war, business decline. And vice versa. Almost twenty years, guns-to-caviar index validated what we all know. Naturally, there was always a handful of managers who take advantage of the war itself, but it was about an economically insignificant amount. Since 2003, however, the year of the invasion of Iraq, this indicator has been turned upside down: spending on luxury jets and military planes grew hand in hand. If hermeneutics is correct, global instability does not affect profits for sellers of weapons, but also to other economic sectors: high-tech security, construction, private health, oil and gas. And the interpretation is quite correct: today stock not fall during the wars, but grow!</div>
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How is this possible? Through a transformation whose amplitude escapes us, but that is equivalent to 1000 km slippage of tectonic plates, with rats all. Let's say someone, based on the idea that the private sector is more efficient and more cost effective than the public sector would get the idea that in the name of efficiency and cost-effectiveness, it should be privatized. Everything. Not only highways, hospitals, schools, sanitation, but also firefighters, police, intelligence services, IRS, Army. Sounds like a childish dream, lead-would the night? No. It's a nightmare. It has already been experienced in several places. And it's underway. What they have in common: Chile during the Pinochet dictatorship, Argentina during the military junta, Bolivia '80s, Philippines during Ferdinand Marcos, Uruguay's Juan Maria Bordaberry, Poland after Solidarity won the elections, the time China Market Tiananmen, South Africa during Nelson Mandela's presidency, Russia's Boris Yeltsin, Asian Tigers crisis (Thailand, Indonesia, Malaysia and South Korea), the war in Iraq, the tsunami in Sri Lanka and Hurricane Katrina in New Orleans? One thing: guns and caviar.</div>
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Gangsters and economists</div>
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If the U.S. city of Chicago would be put in a position to delegate the task of representing personality in history, its citizens would be prey to a profound dilemma: Al Capone or Milton Friedman? First made his fortune selling alcohol during Prohibition and asasinând any threatening its business. The second was far more dangerous: he was an economist and teach at the university. As a scientist, believes that when the economy is distorted, must be properly delivered painful shocks. The premise of his theories was that the "free market" is a perfect science, one in which individuals acting to satisfy their selfish desires create maximum benefit for all. As Marxists, Friedman and his formulated some strict rules to be followed: first of all, governments must remove all rules and regulations in the way of accumulation of profit. Then you have to sell everything that makes up the public corporations can make a profit from them. Finally, to dramatically cut spending on social programs.</div>
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Deregulation, privatization and spending cuts. Taxes must go. Rich and poor to be taxed the same percentage. Corporations should be able to sell their products anywhere in the world, and governments to do nothing to protect local industries. All prices, including wages, to be determined by the market. Without minimum wage. It should be privatized health, e, education, pensions, national parks. It is, in short, the catechism of the new ideology. Pure capitalism without unions, without borders, without any competition rule (almost forgot: get rich or die trying!). You do not have to be a doctor in economics to realize that the dogmas Friedmanism oscillates between economic war and economic genocide. By comparison, spirits monopoly established and maintained bullets Al Capone was a true work of charity for thirsty throats.</div>
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The question whether the government must give up to protect domestic producers (dereglementând) and the less wealthy citizens (ending social programs), which is dealing with after a few farthings sell national assets? The semantic map. State apparatus "performance", ie reduced to a handful of individuals should behave according to Milton Friedman as a transmission belt to collect taxes from citizens and distribute large corporations. Without public tender. Without the ability to check, and possibly penalize them for failure of contracts. The same people in public service, and shareholder associations, so no conflict of interest. The state withdrew entirely from the economy becomes humble lackey of big corporations, and kappo relentlessly for its citizens. In a speech, the manager of a large corporation said: "Think not that I have anything against the government, that I would somehow disappear. The reality is that just want to be so small that it can go in a bathtub and drowned him. "A government so small-bathed in a pot ...</div>
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For more than three decades, Friedman and his fans have perfected the following strategy: Pending major crisis, then selling piece by piece to the States to private economic players while citizens still have not recovered from the shock, then making "reforms" something permanent. If the war in Iraq, the tsunami in Sri Lanka and the hurricane in New Orleans, a process called "reconstruction" began by perfecting original disaster by erasing all that was left of the public sphere and organic communities, passing then to replace them with a kind of new-Jerusalem-the-corporations, all before the victims of war or natural disaster to be able to organize and defend what belongs to them. According to journalist Naomi Klein, shock doctrine resume large scale which makes torture in CIA interrogations. Place "deleting mental structures" for the prisoner / company to reach tabula rasa. Perpetrators fulfill their purpose brain attacking everything that interferes with its normal operation. In Latin America were organized coups were kidnapped, tortured and disappeared tens of thousands of people were fired discretionary rights demonstrators. In Russia, Boris Yeltsin army surrounded the Parliament building and burned it with shells and machine-gun fire. In Iraq, all state employees (military, doctors and nurses, teachers, police) were fired overnight by decree of Paul Bremer, under the guise of-Baath-ificării. Deng Xiaoping in Tiananmen Square killed thousands of peaceful protesters, injuring tens of thousands.</div>
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There was a harmony between the "free market" and mass terror. Dictatorship of Augusto Pinochet, the first political accountability Chicago School theories has resulted in 3,200 missing persons or executed, at least 80,000 people imprisoned, more than 200,000 political refugees. Chilean economy contracted by 15% and unemployment, which was 3% under President Salvator Allende, climbed to 20%. In 1982, despite strict adherence to the doctrine of Milton Friedman, the Chilean economy had the explosion of external debt, hyperinflation and 30% unemployment. It seems that the only thing that saved Chile from collapse was the fact that the dictator never dared to privatize the copper mines Coldeco, which generates 85% of government revenues alone. Years later, in Iraq, the American occupiers confiscated simply oil, which produces nearly 90% of government revenues, in favor of U.S. companies, condemning indigenous perpetual poverty. The exact number of those killed to impose neoliberalism in Latin America has never been calculated, somewhere between 100,000 and 150,000. The vast majority were not members of armed groups, but non-violent activists in factories, farms, universities. They were economists, artists, psychologists and union leaders. In short, anyone represent a vision of society built on something other than pure profit.</div>
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In Bolivia, after applying shock therapy, the number of those who pay contributions to social protection has declined between 1983 and 1988 to 61%. But as said a representative of a union of peasants' government statistics do not reflect the number of people forced to live in tents; tens of thousands of malnourished children who receive only a piece of bread and a cup of maté tea per day, thousands of campesinos who come to the capital looking for work and end up begging on the street. "In Poland, shock therapy led to 30% decrease in industrial production in the first 2 years of the reform. Unemployment soared, reaching 25% in some areas. Even when the economy resumed work, unemployment has stayed chronically (according to World Bank statistics, Poland now has an unemployment rate of 20%). Chicago Style To require therapy in Russia, President Boris Yeltsin dissolved the legislative body, suspended Constitutional Court (created by Mikhail Gorbachev) and constitution, sent tanks to patrol the streets, imposed press censorship. In 1989, two million Russians lived below the poverty line, on less than $ 4 per day. In the mid-'90s, after he had administered shock therapy "bitter medicine", 74 million people were living below the poverty line, according to World Bank statistics. Of these, 37 million living in poverty considered "desperate."</div>
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What is to allow free movement of capital? Means to expose the disaster which hit the Asian Tigers. In the '90s, these countries provide an economic miracle image that had nothing to do with theories of economists in Chicago. Strictly protected domestic capital pomegranate. They made the mistake, however, to allow access of foreign investors in the capital markets. It was a rumor reached the stock market, one: that Thailand does not have sufficient freely convertible currencies to protect their national currency. Western investors began to withdraw funds, selling chaotic. Because there were differences between Asian countries has grown folly: follow Indonesia, Malaysia, the Philippines and South Korea. The situation could recover by providing an external loan, only international organizations came out with a common message: No help Asia! Catastrophe in the eyes of Americans as an opportunity in disguise.</div>
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What they had in common Asian Tigers outside breakneck speed with that developed? Refusal "free market", materialized by severe laws restricting globalization. Foreigners were not allowed to buy land and domestic companies. State play a significant role in the economy, maintaining monopoly key sectors. Many of imports from Japan, Europe and the U.S. were simply blocked. For the Chicago School, this reality was unacceptable. For months after challenging capital crisis, the IMF refused to grant aid that could ease the situation. When, finally, negotiations, Prime Minister of Malayeziei, Mahathir Mohamad, has refused to participate in them: "I do not want to destroy the economy of my country do better." Financial apocalypse price already being paid 24 million people have already lost their jobs. Thailand lost 2,000 jobs daily during the "reforms", ie 60,000 per month. In South Korea - 30,000 per month, mostly as a result of IMF requirements to reduce unnecessary spending. In Indonesia, the unemployment rate has tripled in two years. According to the World Bank, 20 million Asians have fallen into poverty during this period. Prostitution and the sale of children recorded a boom.</div>
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When the IMF has finished the job, property sale Asian Tigers were nothing. In two years, changed the face of Asia, hundreds of local companies were eliminated in favor of multinationals. A terrible tragedy was exploited to access foreign capital in domestic markets. All that had been built for decades by Korean Thai Filipino, Indonesian, had been cut in pieces, put up for auction and then disposed to remove competition with imports. It is true that the IMF is "stabilized" the economy, which makes this organism is usually, but this balance is throwing millions of people across the board: public sector workers, small business owners, subsistence farmers, trade unionists. The great secret of "stabilization" is that people no longer take water never climb back. Except Malayeziei, other Asian countries are now markets for American products.</div>
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The Final Frontier</div>
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Among the many mechanisms of subjugation in developing countries, one of the most effective was "debt shock" or "debt crisis". The United States has borrowed many of these countries, then rose as interest rates unilaterally so that to meet the payments, they were forced to take out new loans. The situation was so disastrous that the debt of Brazil, for example, exploded, doubling from 50 to 100 billion in just six years. In the same period, Nigeria's debt increased from 9 to 29 billion. Each time the loans were granted by the IMF and the World Bank provided the borrower to sign a list of axioms considered as the minimum necessary for economic health. This masquerade presented as a technical and beyond any doubt, include ideological claims like "state enterprises to be privatized" and "barriers to entry of foreign firms should be abolished." In other words, you want to save your country? Then sell it.</div>
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And if all is to sell your land, then necessarily it to do at the market price, meaning nothing. In Russia, an oil company the largest that has France has sold 88 million USD. Norilsk Nickel, which produces a fifth of the world's nickel, was given 170 million dollars, while its profit reaches $ 1.5 billion annually. Yukos oil company, which controls more oil than Kuwait, was sold for 309 million USD. Now has revenues exceeding $ 3 billion annually. 51% of the oil giant Sidanko went for 130 million USD. Today, the stock is valued at $ 2.8 billion scholarship. A huge weapons factory was traded against 3 million USD, ie the price of a holiday in Aspen. However, these privatizations have enormous discontent economists at Chicago state assets were sold strictly nomenklaturiştilor native prohibiting any access to foreign capital.</div>
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What lies behind the rhetoric of Milton Friedman and the Chicago School? An exercise of colonial conquest, under postmodernism. After all, the message is simply a reminder economist parody of the famous statements of Adam Smith, that the market would have natural control mechanisms, the invisible hand who arranges things without any authority having to intervene in any way. I do not know if British ancestor foolishness is greater than that of contemporary America. But for everyone it is clear that deregulation of markets is similar gesture to throw some fish in a sea aquarium where sharks writhing. We fly a mine happy, we have only Tell us that the fish are as free as predators, the reality is that there is never a Carasius auratus fed with a blue whale. Although not without freedom to do here we do not have doubts.</div>
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In a world where the white spots are gone unexplored lands, multinationals found themselves without "wild and barbarous nations" that make the charm of colonialism. And then thought to produce. Eliminating laws that protect domestic capital, colonial grabs today what yesterday's colonialists called "empty land" in exchange for glass beads. But today these "empty land" are postal services, national parks, schools, social security services, etc.. The state is now the last frontier, and conquistador multinational him prey to the same aplomb he showed her predecessor who left home to search for gold in the Andes. What do the telephone system in Chile, Argentina airlines, oil fields in Russia, the transmission of water in Bolivia, factories in Poland? All were worth the effort made public and then sold glass beads.</div>
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Apogee and decline of an ideology</div>
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Milton Friedman died. The ravages ideology "free market" are so obvious, that in many parts of the world is very hard to find a man who has not directly experienced the effects of the shock doctrine. After being stunned repeatedly, many have learned to be careful this time. Once the shock doctrine mechanisms were fully understood, whole communities become harder to take by surprise increasingly more difficult to get confused. Lebanon after the war in 2006 was the first lesson of a nation is no longer willing to accept the poisoned gifts. With damage estimated at $ 9 billion, Prime Minister Fuad Siniora was ready to receive loans from the IMF and the community of states in Europe and the U.S. in exchange for well-known ideological imperative. But Lebanon had a similar experience, gained in the previous war with Israel. The same cycle: destruction - loans - alienation. People remember how happy that the war had ended, the streets were rebuilt. Up to their senses, but everything was sold, borrowed money had built private fortunes, they pay just those who were forbidden access to the facilities new rich.</div>
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Lebanese have not wanted to swallow the second time the same scam. And the government must resign. In parallel, Hezbollah movement began rebuilding, stone by stone fireplace with fireplace. Families affected by the bombing received 12.000 USD for spending next year, which is four times more than the U.S. government had refugees from New Orleans after Hurricane Katrina, as remarked journalists Ana Nogueira and Saseen Kawzally. Version adopted by the political force not covered building five-star hotels, as in Kabul or Olympic pools for police, as in Iraq. To avoid the negative experience of survivors in Sri Lanka, in aid of which were built hotels on the beach. Local labor was employed, not in Iraq, where "reconstruction" was made by foreign workers in a country where unemployment reached 70-80%.</div>
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Latin America woke her from lethargy. In November 2006, Rafael Correa, the leftist economist, defeat in elections Alvaro Noboa of Ecuador, one of the richest men in the country. Correa campaign appealed to "overcome aberrations neoliberalism" and declared World Bank officials persona non grata in his own country. In Bolivia, President Evo Morales nationalized the natural gas resources of the multinationals "predatory". Chile and Argentina are led by politicians who declare publicly that they are against experiments in Chicago School made their countries. Both Chilean President Michelle Bachelet and the Argentine Néstor Kirchner, were imprisoned during previous dictatorships. Socialism! We can now think in ideological terms, however, adherence to keeping our real? What is now building in Latin America has little in common with the socialist doctrine. Less centralized as in the 60s, much harder movements demolished if a few leaders beheaded. Breaking ties with the U.S. economic theories when Venezuela, Costa Rica, Argentina and Uruguay announced that they refuse to send students to the School of the Americas. More radical than all, Rafael Correa refused to renew understanding for hosting the largest U.S. military bases in South America.</div>
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Something extremely bothersome to Friedman, but for Stalin seems to happen. In Brazil, a million and a half of former farmers who lived in the garbage at city asked unused land to resume his old life. In Argentina, two hundred bankrupt factories were resuscitated workers, they have turned into cooperative owners. Hugo Chávez has made the development of cooperatives in Venezuela a priority. Meanwhile, in the United States, giant Halliburton after the U.S. government treated as a personal ATM, only winning the war in Iraq over 20 billion USD, refusing to hire workers from Iraq, expressing gratitude to the American taxpayer moving and headquarters in Dubai. Rejecting the North American dream of a free trade area from Alaska to Terra del Fuego, Bolivia Bolivian Alternative for the Americas proposed (ALBA), based on barter, in which each country suggests that produces better, instead of what needs independent of global market prices. Instead of leaving them to be decided by traders in New York and London, South Americans prefer to establish themselves. IMF supreme power in the 90s, starting to not have no place on the continent. In 2005, South American portfolio amounted to 80% of loans international body - in 2007, only 1%. With the revenue from oil, Venezuela began to lend to developing countries. Surrounded by turbulent financial waters, Latin America builds a zone of relative economic calm and predictability, that is something that globalization believes it would be impossible.</div>
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In the words of Milton Friedman died, leading to his grave an ideology that has worked hard to hide a dirty secret: he had never been anywhere, voted. Although strongly affirm that democracy and free markets go hand in hand, desperately needed to eliminate all those who thought that the fish can not swim in the aquarium with sharks and whales same place. The hypocrisy grosonală "scientist" who designed it personally went to give lessons criminals worldwide economy (Augusto Pinochet and Deng Xiaoping are the most notable name), later claiming that there is no connection between ideas its massacres and torture committed in plain sight. Today, some of Friedman's students complained of genocide and comparing the dock in countries who have exercised political activity. His fellow-citizen, gangster Al Capone, is guilty of several murders committed in cold blood. Professor Milton Friedman Divine Justice accountable for hundreds of thousands of dead and missing, tens of millions of hungry, oppressed and disinherited of the world. Terrible price for some mental constructions which have proved effective when they were never implemented, enriching the already super-rich just astronomical. If ever someone would ask me who I prefer between the two, I opt not regret Capone. It was much less dangerous than an economics professor, and when promised thirsty spirits, kept his word!</div>
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Personality of one of the most cited scientists in the world and probably the greatest debater in life, Chomsky dismounted punctual idea that we are facing a crisis pass, similar to that of 1930. Unlike that time, humanity is facing and a crisis of hope, of confidence that things can evolve in the right direction. As an example, it cited lack of social activism of people around the world who are more concerned about not changing for the better the system, but the system tapping into the powerful, influential political and financial.</div>
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Chomsky's position is no different from those who accuse rush profit system issued by any moral consideration. As I mentioned on previous occasions, there are many right-wing political leaders consider economic crisis a simple effect of total confidence in the justice market. In fact, it is really very difficult to believe that a market that is driven solely by the principle of economic efficiency can make decisions in favor of the ordinary people who make a living from salary (possibly from the budget), which is the affected by the economic crisis. In this sense brings into question the disappearance of political parties and replace them with party affairs, a superposed classes delegated to make decisions for everyone, but only for some. Again, sounds familiar?</div>
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The solution to these problems? I'll allow me to reiterate my own position. Mutation is necessary for capitalism with responsibility, able to reglemeteze balance between economic efficiency and social responsibility. World economic system does not work properly for a while, and political decisions target ceased to fairness and universal citizen representation. This economic crisis does nothing to motivate us stronger in our society to identify problems and find solutions to overcome them.</div>
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Decreased interest in usual political citizen is an effect of the fact that the policy failed to give solutions. Moreover, even if the policy offers good solutions, the citizen has so little trust in politics, and they deny that they priori. And as in any important issue resolution must come from treating the causes, not the effects. It is necessary to treat generalized cynicism with ideas, projects, with as much attention to the future. Stimulating civil society. With genuine participatory democracy. We all know about the needs of policy for many years. Perhaps, faced with a watershed moment as this economic crisis, we managed to transform into reality. In Romania, this fall preferable.</div>
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<span style="font-family: Times, Times New Roman, serif;">Nadav Kander</span></div>
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<span style="font-family: Times, Times New Roman, serif;"> I find through Kander website a couple of series more linking to my conception of global crises.</span></div>
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<span style="font-family: Times, Times New Roman, serif;">One of the image represents the cover of her series an is showing to us an part of an leg sculpture resting on the </span></div>
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<span style="font-family: Times, Times New Roman, serif;">The alternative Limb Project</span></div>
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<span style="font-family: Times, Times New Roman, serif;">Signs That We Exist</span></div>
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<span style="font-family: Times, Times New Roman, serif;">Cameraless Studies nadav</span></div>
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Anonymoushttp://www.blogger.com/profile/01170937501487847576noreply@blogger.com0tag:blogger.com,1999:blog-2683316413141940638.post-7354458289245403272014-02-24T07:31:00.002-08:002014-02-24T07:31:44.175-08:00<div class="separator" style="clear: both; text-align: center;">
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<b><span style="font-size: large;">Seminar Task</span></b></div>
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<b><span style="font-size: large;">Tillmans vs Brassai</span></b></div>
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I choosed to compare for the Documentary and the city, two images from different time, witch at first are not really related each other and especially to the general idea of street photography (peoples in different situations, within a descriptive place moment).</div>
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The style of booth looks more to an abstract more maybe arthistique approach, we can not recognise an specific time or person, and especially an city. This is more of an aspect of the street life, negative or positive.</div>
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The first image, made by Wolfgang Tillmans, represent an snapshot of an women arm, made in a public space, surrounded by peoples, after researching i found that it is actually made in london tube, but in therms of location or time we can not relate to a specific genre, only the fact that it is contemporary. The approach shows us an intimate, nearly an voyeur look to this specific body part. It is really detailed about the looks and you can say that there is a person exhausted, probably in an pick hours time, definitely is not paying attention to the artist actions as we can see that the gesture posture is as natural as we can have.</div>
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All the image he made it nearly to construct an sculpture, the look of his beauty is nearly an reinterpretation of classic beauty images, for moment i was thinking of Venus from Milo, who for instance has no arms, and in here we can see that kind of crop but with accent to that intimate part, more over the classicism boundaries.</div>
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I find an text related to this work from the author:</div>
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<span style="background-color: white; color: #7d7d7d; font-family: Palatino, 'Times New Roman', serif; font-size: 15px; font-style: italic; line-height: 20px; text-align: justify;">I have always associated the Underground with incredible intimacy among people, without them wanting to be intimate with each other. It’s a weird phenomenon, whereby men and women standing incredibly close to each other and looking into each other’s shirts and ears and hair is acceptable, and we’ve all decided not to think of it as a sensual experience, because taboo is at work. I find it fascinating how shifting that one little parameter makes everything else shift. The Tube pictures are also ultimately about how negotiable social behaviour is; but initially, of course, I was fascinated by what I saw.</span></div>
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The second image, by Brassai reflects on streets graffiti, an art movement at that time in his early stages. We know that his work relates primarily to Paris, but the framing can not allow us to have an time or city details.</div>
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This ideea of 2 wholes, relates to the idea of unknown, maybe an path or way witch is not often taken by public, an more abstract imagery than the Tillmans</div>
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<br />Anonymoushttp://www.blogger.com/profile/01170937501487847576noreply@blogger.com0tag:blogger.com,1999:blog-2683316413141940638.post-64901883460003569642014-01-21T07:59:00.000-08:002014-03-20T05:20:14.167-07:00<span style="font-family: Arial, Helvetica, sans-serif;"><br /></span>
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<span style="font-family: Arial, Helvetica, sans-serif;"> <b>Commission Unit RPHC 4002</b></span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;"><b> Waste</b><br />
Waste, what it is an waste, who should i define waste, is it somethinght witch lost his value, who begun to be corrupted, lost his values, can it be used some who.</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;"> Initial thoughts</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">In nature it is an constant cycle, an ecosystem where nothinght is lost, all has his role and get envolved in the normal life.</span><br />
<span style="font-family: Arial, Helvetica, sans-serif;">If my initial thoughts and ideas has time i will try to reflect on idea of peoples, peoples who are not a waste, who besides that somewho are treated as a waste they try to get out of this situation and transform in somethinght good for society.</span><br />
<span style="font-family: Arial, Helvetica, sans-serif;">This is for me more like a soul thing, personal, to try to proof that even that you are considered a waste if you have the right help and initiative you can escape this situation and become a better person.</span><br />
<span style="font-family: Arial, Helvetica, sans-serif;">As i said this is a project idea witch i will experiment with in the future, and allow for it my knowledge and a full time in order to make it proper and express the true, but for now as i need to do somethinght achievable i will have 2 main ideas, try a little bit of them, experiment, and doing test shoots and after that i will focus on the one who will work good.</span><br />
<span style="font-family: Arial, Helvetica, sans-serif;">The first main idea, my personal one i want to speak about the childs who lived in the communist era back home in my country, in childs orphanages, and who we`re treated really badly, and they was put somewho to die, because that was been thinking about them the communist regime, but somewho a part of them we`re adopted by fosters families helped and support to reach a normal life.</span><br />
<span style="font-family: Arial, Helvetica, sans-serif;">This treatment was used after the Communism fall in 1989, a couple of years, but i am not sure the precise moment it end up, what i am sure is that in `92 `93 this was the normal treatment for institutionalised children's, an fact who marked my life and my life view.</span><br />
<span style="font-family: Arial, Helvetica, sans-serif;">I was a lucky guy who managed to escape for a while at least from that place, as i was adopted by a foster family, and for a part of my life i started to become a normal person, but still i have a bit of trauma, and i have my moments when i am scarred on the dark parts(like in the colour darkroom) or by night, this obviously are like a bit of psychological illness, somethinght witch i want to deal with, and solve it.</span><br />
<span style="font-family: Arial, Helvetica, sans-serif;">And as i said i am thank-full to God and to who helped me, and for this reason i try to become a better person, to develop and get experience and try to help the ones who are who i was in my childhood.</span><br />
<span style="font-family: Arial, Helvetica, sans-serif;">I want to do an large research and an properly approach in manner witch i don t think some one does it, because what i saw about this subject on the tv and the mainstream media is not so accurate, is more vague. And for this reason i know that now i don t have the time resource or the knowledge to say a story as it should be done, and i`ll pass it to an future projects list.</span><br />
<span style="font-family: Arial, Helvetica, sans-serif;">As i am aware that the time is limited and now i need to do a bit more serious and elaborate project as i am having big issues on my last projects, and obviously the place should be in medway, i will have an social aspect, witch i will start with an idea doing it in 2 approaches and figure it on the way witch is working the best.</span><br />
<span style="font-family: Arial, Helvetica, sans-serif;">My general idea is to make an story who i will try to say that things, can have an value resource, even thought for some people this is not on the radar, i will try to do some thing like an project about the waste of food, that on some restaurants even though the food is opened and keep or an different amount of time, it is regularly checked and if it is getting over the company shelf life term it is through straight into the bin.</span><br />
<span style="font-family: Arial, Helvetica, sans-serif;">I am not saying that all food is the same, obviously are some who is getting old, badly alter ate, but some food can have some resources and should be some kind of charity organisation who should dealt with, as they can communicate through the booth sides the restaurants, canteens and so on; and to the ones who needs a bit of help, homeless peoples, hungry.</span><br />
<span style="font-family: Arial, Helvetica, sans-serif;">I will want to investigate this to the large scale retailers as supermarkets like Tesco, Asda, Morrisons, as one of them usually have some special prices to some goods witch are nearly to expire date, and perhaps i can ind more details, and there opinion ass well.</span><br />
<span style="font-family: Arial, Helvetica, sans-serif;">My other approach will be on the local charity shops, as here are a lot shops who obviously have a part of profit from this type of commerce, i will try to see again what is the thing that put them together, and witch is the involving rate let`s say from the local community, and if this sort of business is sustainable or it needs actually external help.</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;"> Medway Photo Festival</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">As a part of my waste unit we had to visit the assesment of second year photography students, and choose 2 of them to analyse, i was taking the advantage and i visited all of them and had some pictures (phone) to guide me, more as a reference. I will upload the pictures and have a few words about each exhibition and then i will make my final analyse.</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;"> Fusion</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">The first one, called ,,Fusion`` located on the a nearly common, and public used road, was the one i find it first, but unfortunently was closed at that moment. I visited next day and what impressed me, was the condition that the student had to stay, in that place was really cold, nearly illness cold, and the place by himself was one that you can`t find often an exhibition been hold. It seems obviously that it has another purpose, high street shop, and to fit an art reflective exhibition in it looks like a cheap solution.</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;"> Ephemeral</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">I found theEphemeral exhibition, in the most common and expected place, in the local art centre in Chatham, Nucleus Art centre, as we can see this is a place made for an exhibition purpose, with chairs, and meditative purpose, but for me, the height it` s a bit weird, as it should be a little bit more heigh and wide, however the work was a big variety and diversity, impressive, less the shoot with the girl dressed in pink witch seems to be a normal photo shoot, not something for an exhibition.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Black Box Exhibition</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">An intersting exhibition where i visited, black box, was one where i find the biggest amount of students, an general idea of who they are involved and who serious they treated this.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">The place as we can see is not the one that you will expect an exhibition to be happen, but however it was more better than the fondu place. For me the bad thing was the ceilling who was opened and on the upper floor was running an gym, from witch you could hear some scarry noises.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Fondu</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Last on my presentation, but not least, as this was the first one who i visited was the fondu exhibition, located in a kind of company place called ,, Sun Pier House``, to find it was a bit of adeventure as it was situated in a wide place, and with no indication to suggest that there is a public exhibition going on.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">In terms of place this was litterally transformed for this type of exhibition and had some issues in positioning a part of work on the window, however for me scarry it was again the ceilling who looks like a piece of concrete </span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">For me in the general way it looks the 2 most distinctive exhibitions was Fondu and BlackBox, in terms of comparing i can say that both of them had ups and downs but in general gives me the filling that there was an big amount of hours spent on work and developing.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">On the Fondu exhibition the 3 blocks who were situated outside the exhibition looked, normal, almost integrated in the place, so at first i didn`t realise that they are part of the exhibition.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">On the BlackBox, the work who reflects on money and has that money scan on notes looked for me a bit silly, and not integrated in the exhibition. The one`s that captured my attention was the mountain landscape, witch looks in a sort of old f64 style, nearly to Ansel Adams, but more an reinterpretation, and the portraits printed on the canvas, i found them an interesting way of technique.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">The video was another good point, as he put the people in other time and analyse their gesture and reaction, not judging on the appearence but on the instinctive reactions.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Medway Area Public Transport</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Taxi Drivers</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"> After viewing the class documentary movie, West Land by Vik Muniz, i started to think more about the meaning of my project and the experience i can have, so i decided to focus more on the idea of people involved on this. The target was to discover the waste were is not really accessible to the humans interest, or is not accepted as an waste. </span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">As i started to do some research on this project idea, i was wanting to have an issue, common for public within the medway area, my first thought was to use the waste meaning as a time (resource) waste.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">I was trying to play with this idea in the public transport, and especially for the taxi drivers, for the fact that to be a taxi driver require to be more flexible and have a lot more compromise to make than an bus driver.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">I researched on the medway council website (<a href="http://www.medway.gov.uk/businessandinvestment/licencesandstreettrading/taxis/drivers.aspx" target="_blank">http://www.medway.gov.uk/businessandinvestment/licencesandstreettrading/taxis/drivers.aspx</a>) and the interesting thing i found there is the waiting time for obtaining the full licence, as the exams are twice a year ( <span style="color: #707070; line-height: 19px;">The tests are held in February and August each year. Applications must be submitted at least one month before the test and are added to the knowledge test waiting list</span><span style="line-height: 19px;"> ), after they complete to fill a long list of required certificates and and health and safety tests, with a high score, more than 80%, witch will be valid for a period of up to 3 years.</span></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><span style="line-height: 19px;">This terms makes for someone who wants to embrace an job like that really hard, in terms of time and resource spent, a struggle for witch you don`t have an certitude of </span></span><span style="font-family: Arial, Helvetica, sans-serif;"><span style="line-height: 19px;">success. This kind of waiting it is on the first place until they can get the licence but after that, they can face another hard times, for instance the high insurance charges. Neither way the most unpleasant moment is when they have to wait for a fair, in different place of the city, some times witch varies for many times, and never can guess an approximate number of fairs per shift, in order to make an profit, not jut money for survive.</span></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><span style="line-height: 19px;">I will try to find different stories between the local community drivers in order to sustain my thoughts and help myself making an small survey questions list to be filled by taxi drivers anonymously.</span></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><span style="line-height: 19px;">I also find on the medway council website about this special service involving elderly or mobility difficulties people </span><a href="http://www.medway.gov.uk/transportandstreets/publictransport/transportandmobilityissues.aspx" style="line-height: 19px;" target="_blank">http://www.medway.gov.uk/transportandstreets/publictransport/transportandmobilityissues.aspx</a><span style="line-height: 19px;">, an useful initiative. I was at first really impressed as i never knew about something like that in my home country, and the thing that there is special buses who has special lower floor, being an special timetable in real time on the bus company website.</span></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Researching the taxi history i find it that from begging, his purpose was miss understand and the peoples who made this service miss treated somehow.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Never rich and powerful peoples did not like to mingle with the common peoples , to make dirty feet through the mud streets, sweat or be rained on their travels through cities . The need to avoid these troubles appeared the litter , developed and spread , becoming a more affordable means of transport , a true ancestor of today's taxis .</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"> Litter occurred in some areas of the world such as India, even before our era , being used both for passenger prominent and in religious processions , the platforms worn by people or animals were worn statues of deities .</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"> As a composition , a litter means a bed or a chair in a structure built of wood, sometimes covered , for the person to be protected from rain worn and sun , was worn by one or more people or animals - horse , elephant , camel .</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"> Several names designate this ancient means of transport, the best known being : litter ( in ancient Rome ) , sedan chair ( England ) , litter (in Spain ) , palanquin ( in France , India , Ghana ) , liteira ( Portugal ) , KAGO or norimono (in Japan ) , jiao ( China) .</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"> Evolution of this chair -sized sedan was really fast , so in 1634 we know that people use to rent them in London , the monopoly on these ancestors of taxis was owned by a courtier of King Charles I ( 1600-1649 ) .</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"> In 1738, in Scotland , was regulated this type of transport , establishing a pricing system and certain rules. There was also an sedan chair used as an ambulance by Edinburgh Royal Infirmary founded in 1729 .</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"> The ladies of high society could not be worn in any kind of chairs , so the sedan chair sites became more sophisticated beautiful , decorated in styles of the time, as seen in the painting by G. Borgelli the nineteenth century, where a lady down in a splendid blue chair in rococo style .</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFfC8U7C2IF4ht1-2PIG2SZsmKazf4bZ2OLKutAIGj-0ihnOjQYFP-zO4WCz9tOpbVuzVRZ_KT4dxvXG2n-F9qGbKv1o6di3TwfbkyBAogIARTv6Kj-RDk0z3NZAwVXCVarnYbKEEZtsU1/s3200/Screen+Shot+2014-03-20+at+11.27.25.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: Arial, Helvetica, sans-serif;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFfC8U7C2IF4ht1-2PIG2SZsmKazf4bZ2OLKutAIGj-0ihnOjQYFP-zO4WCz9tOpbVuzVRZ_KT4dxvXG2n-F9qGbKv1o6di3TwfbkyBAogIARTv6Kj-RDk0z3NZAwVXCVarnYbKEEZtsU1/s3200/Screen+Shot+2014-03-20+at+11.27.25.png" height="250" width="400" /></span></a></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"> Litter as an great looking pieces of art , are still used nowadays, for ritual purposes , as can be seen in Thailand and other parts of Asia primarily.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"> Renting vehicles to transport people in European cities i mentioned since the 17th century, first in the French capital , Paris, then in London, where was legislated this service as public . Then in Vienna and here litter fashion type spread across the continent and beyond . In the nineteenth century litter are modernized and adapted to the rapid and comfortable transportation . Taxis, like motorised tranport vehicles first appeared in the streets of Paris , in 1899, then in London in 1903 and New York in 1907. New York taxis were imported from France by Harry N. Allen . Allen was the first taxi painted yellow , after learning that it is the color most easily seen from a distance .</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"> Unlike other forms of transport, taxis are rented for personal purpose. The customer decides the destination and propose the route followed the driver , when making a phone order can be established meeting place ( if the time or location of the customer difficult to find a taxi to the means listed above, or from pure customer convenience ) . Taxis can stand on demand , and it will leave the vehicle after he left a deposit and will return to continue their journey.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Garbage Pin. Project</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><span style="line-height: 19px;">I found this project Garbage pin project Worth vs Waste, helpful to direct me to choose my approach.</span></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><span style="line-height: 19px;">In the garbage pin project, was involved persons from different art communities, who was had basically an garbage bag witch they filled with the objects of what represents for them an garbage.</span></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><span style="line-height: 19px;">I will be inspired by this approach to make the survey for witch will be filled by the drivers with their thoughts about the difficulties of their job, their opinion of how the local community make an opinion about their job, and other hard times they had to suffer.</span></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Alfie Goodrich</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Alfie is an british photographer living in Tokyo Japan, working in the commercial and press environment world wide. He has this project for last years photographing taxi drivers in their taxi or near them mostly on evening-night time on the Tokyo streets, working on digital Nikon Dslrs.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">http://blog.alfiegoodrich.com/taxi-driver-shibuya-tokyo/</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">He usually has an small description of the technical details, place where been made and the drivers name, being a bit empathise with him.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">http://www.alfiegoodrich.com/2011/09/14/tokyo-taxi/</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj3O4TfCaEILMjZ7wZa0EFlnPNsQfXfkXTpXOXUp2fylmSNVZ2OsZnzZVlLiurC0Sif2AekJ7aAUZmsyMNkKD8wCer2E2w7vF1HwImCppbvqqQVm2_fj9a8MdZ_Ob7sX3uboSp0gkZ0nubb/s3200/Screen+Shot+2014-03-20+at+07.52.43.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: Arial, Helvetica, sans-serif;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj3O4TfCaEILMjZ7wZa0EFlnPNsQfXfkXTpXOXUp2fylmSNVZ2OsZnzZVlLiurC0Sif2AekJ7aAUZmsyMNkKD8wCer2E2w7vF1HwImCppbvqqQVm2_fj9a8MdZ_Ob7sX3uboSp0gkZ0nubb/s3200/Screen+Shot+2014-03-20+at+07.52.43.png" height="250" width="400" /></span></a></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">I am attracted by this image as it is an good description of time place and working envivroment, clearly you can recognise Tokyo and have an nice reflection of how it`s to be like.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">For this sort of image we usually need an certain amount of height witch unfortunently i couldn`t find in the local area, as it has small size comparing to Tokyo, but the image lyric gives me a bit an magic feeling, fascinating.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-jtxy540NGqGnIvm26SAHfRT0ovN0ORmpB5l16zZUoNJor2pt4O70cmbJ7pJS6CYgULDc3BMR5hIN5y_7sME86_vn_q7_ZewLZapdG5bFvql6WKBiIBQ3kqGAdSML34Q64dBHnLWCJCJK/s3200/Screen+Shot+2014-03-20+at+07.53.32.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: Arial, Helvetica, sans-serif;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-jtxy540NGqGnIvm26SAHfRT0ovN0ORmpB5l16zZUoNJor2pt4O70cmbJ7pJS6CYgULDc3BMR5hIN5y_7sME86_vn_q7_ZewLZapdG5bFvql6WKBiIBQ3kqGAdSML34Q64dBHnLWCJCJK/s3200/Screen+Shot+2014-03-20+at+07.53.32.png" height="250" width="400" /></span></a></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">This sort of image i could say that is the gold shoot, an image i was looking after to get but i wasn`t too lucky to get it, a bit of really sad for me. I still will look to find an image like this because can really represent the idea of wasting time waiting for an new fare. Composition, marks him in the second half of the image, reflections from the behind car makes him an special highlight like the holly halo, and even the yellow colour of the car directs you to watch him having his rest.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjobV_xiy8IksFe48Y02e-Ut8bIA0G4_8XMl51sYzxKKdm6JzTOVQ94LVn4GCRJEzEheIjIVkZ2uq6JVCRRFBmI4jgW7Jt1vG64rNAUVzilACgbzeCxZu_WNmEruTHlCHPqG9wUZ4jC18SY/s3200/Screen+Shot+2014-03-20+at+07.53.45.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: Arial, Helvetica, sans-serif;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjobV_xiy8IksFe48Y02e-Ut8bIA0G4_8XMl51sYzxKKdm6JzTOVQ94LVn4GCRJEzEheIjIVkZ2uq6JVCRRFBmI4jgW7Jt1vG64rNAUVzilACgbzeCxZu_WNmEruTHlCHPqG9wUZ4jC18SY/s3200/Screen+Shot+2014-03-20+at+07.53.45.png" height="250" width="400" /></span></a></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">An image, with the driver reflecting to unknown, an sort of interesting posing witch makes the driver an more human, an approach witch gives as an clear message, he is an human like us, with feelings, emotions, an human soul who thinks and reflects, not an machine who always should serve us.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Framing place him in the middle of a cars triangle contrasted by the red black and white cars, standing straight as he is near to defend his dignity.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgpfYaP31n2DxAEGG7OrDE12EWMH6d9SZ0PnficsNfPKCdPkLD4L5Sl099vCRj3OHV9_8abiI2LE99o6Ae4rn73yPtYSohhDKmrMlB9pBjtBZF3NiFc8y1IcQnlRSx_aqsiPVUYizJnpEKl/s3200/Screen+Shot+2014-03-20+at+07.54.39.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: Arial, Helvetica, sans-serif;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgpfYaP31n2DxAEGG7OrDE12EWMH6d9SZ0PnficsNfPKCdPkLD4L5Sl099vCRj3OHV9_8abiI2LE99o6Ae4rn73yPtYSohhDKmrMlB9pBjtBZF3NiFc8y1IcQnlRSx_aqsiPVUYizJnpEKl/s3200/Screen+Shot+2014-03-20+at+07.54.39.png" height="250" width="400" /></span></a></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">We have here an beautiful perspective, more of lyrics juxtaposing, the driver and the city as 2 elements in the same envivroment. Perspective made by the white traffic line continued by the buildings silhouette, and ending in the sky gives us an feeling of scale, we are small comparing with the galaxy, divinity entities, no matter how big we rise our towers.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Being an dialogue between drivers, in the middle of an traffic jam, an waiting moment, often gives them the opportunity to discuss small life issues, covered in this whole big world protection.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhONRrUhm1liYuq-BiQqiV88dvON08mYuqaaT65HZoeh873_Y46EdZhnleqIRBZSyRVFyM3SHPqXXbpMwRTY4PK7v7Gq8YH8zGNPL_7FllYLkUh8CzpYnOIvDfKboGP8TgQ3TtH95t7H4-O/s3200/Screen+Shot+2014-03-20+at+07.55.11.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: Arial, Helvetica, sans-serif;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhONRrUhm1liYuq-BiQqiV88dvON08mYuqaaT65HZoeh873_Y46EdZhnleqIRBZSyRVFyM3SHPqXXbpMwRTY4PK7v7Gq8YH8zGNPL_7FllYLkUh8CzpYnOIvDfKboGP8TgQ3TtH95t7H4-O/s3200/Screen+Shot+2014-03-20+at+07.55.11.png" height="250" width="400" /></span></a></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Finally i found this image interesting for my project as it shows the inside, an inside of the car, car acting as an protective cage, reflecting on his life on his path on plans, or maybe being to tired to reflect his just resting.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Christopher Morris</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">He is an american based photographer, working with fine art and having an world wide exhibitions, formerly in Europe and America.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">New York City subway project, photographed in the 1981, was his important project after graduated uni, trying to reflect on the subway people having an more street photography touch.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">I looked into it`s work to find interesting posing of peoples waiting in the stations, and the public places.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">http://www.christophermorrisphotography.com</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhkmK74qMmluXcewnN3u84FQgTMwFMgWkdcgclqXbcNwQYvdHYE2g4C-gzWexEGMJxJP6KZRt18uqLVdSvSjoq5yQvZfgpJ7Te_jmg8PI2bDUQNWEmkJiDayeZq01c8JKME1j-SNzb0d7iQ/s3200/Screen+Shot+2014-03-20+at+07.57.52.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: Arial, Helvetica, sans-serif;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhkmK74qMmluXcewnN3u84FQgTMwFMgWkdcgclqXbcNwQYvdHYE2g4C-gzWexEGMJxJP6KZRt18uqLVdSvSjoq5yQvZfgpJ7Te_jmg8PI2bDUQNWEmkJiDayeZq01c8JKME1j-SNzb0d7iQ/s3200/Screen+Shot+2014-03-20+at+07.57.52.png" height="250" width="400" /></span></a></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">An image reflecting to the others, trespassing the station, an common moment of the taxi drivers who waits in the cars, sometimes having this moment of watching others in rush.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">The composition has an delimitation in 3 pieces as the rushing peoples, the mask looking to this scene, and the actual man who has that wondering look.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQ7oJDbb23atoloXkfqt8qC5zLHSuSMzty5WC-scaRyE-W5_st3iCSRGu4i2jzpA2x_8w4escjLb3wbMM9XMKFs5wic1fHz2XNSyp6cJnvet089KlhEYCnNtAAQcV-cyc8XJkxfJ7LDNWx/s3200/Screen+Shot+2014-03-20+at+07.58.13.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: Arial, Helvetica, sans-serif;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQ7oJDbb23atoloXkfqt8qC5zLHSuSMzty5WC-scaRyE-W5_st3iCSRGu4i2jzpA2x_8w4escjLb3wbMM9XMKFs5wic1fHz2XNSyp6cJnvet089KlhEYCnNtAAQcV-cyc8XJkxfJ7LDNWx/s3200/Screen+Shot+2014-03-20+at+07.58.13.png" height="250" width="400" /></span></a></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">This image has an wide perspective an different look comparing to the other one giving us the moment of an group waiting, an wait witch could be anticipated, and still the people having different reactions to it.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Donald Webber</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; text-align: center;">Donald Webber is an photographer trained as an architect, being more focussed on the underclass society, the poor part of it, he is an news and media content photographer, primarily working with vii photos.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; text-align: center;">For his project Drunken bride he traveled further to deep Russia and soviet countries, trying to catch the alcoholic implication of humans in society, this images are quite shocking but still full of interest reflecting on addictions and abuse, body and time waste.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">http://donaldweber.com/drunken-bride/</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhLbA-RGHCRkQ7hYJEgXVPc0oRel08JGJJ52Fe2lMEwHqIpqt9vmkGxk2GqXO4A0u-LNMBwDJ50wy9ZfZkXlBd80hC60GgJccIeG1cd8FA3FYvkU6KAz5fWpErbdw5EEqa_yRsf0EbtNq-F/s3200/Screen+Shot+2014-03-20+at+08.01.12.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: Arial, Helvetica, sans-serif;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhLbA-RGHCRkQ7hYJEgXVPc0oRel08JGJJ52Fe2lMEwHqIpqt9vmkGxk2GqXO4A0u-LNMBwDJ50wy9ZfZkXlBd80hC60GgJccIeG1cd8FA3FYvkU6KAz5fWpErbdw5EEqa_yRsf0EbtNq-F/s3200/Screen+Shot+2014-03-20+at+08.01.12.png" height="250" width="400" /></span></a></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">This is an image plenty of contrast and reflection to abuse and waste, an pose of time wasting and future being destroyed, limited to the present moment. I find it helpful as this can be the general public concept about the taxi drivers, an image witch i want to stay away of, as i want to present a bit more positive attitude.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Anastasia Taylor-Lind</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"> She is an London based sweedish photographer, working primarily with portraits and fine art photography. </span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">She has an project reflecting to the post war life of the citizens of Nagorno Krabakh region, looking to changes made and the wounds of the community.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">http://www.anastasiataylorlind.com</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Both images are quite the same representation of people sitting together but having different attitudes, an approach we can find in the general society, but here being more obvious because of the conflict.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">This type of attitude we can find in the world wide world as a general judgemental thinking between peoples, never giving an chance to analyse more deeply into the subject.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"> My first shooting experience was a bit of disaster to be honest as i was having difficulties with the camera, could not be able to change the lens, body being jammed somehow , leave me tho only option to work with an single lens type the normal one 90 millimetres for the mamiya system.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">This type of situation actually helped me to think less on the technical part, the lens distance and more to the subject, so i was restricted to change my approach an helpful incident for me as i am more fascinated by the technical side.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Analysing through an one lens perspective give you the time to understand how to solve the framing and be more involved to the action rather than other details. An advantage that i decided to use it further in the final shoots with 2 lenses, using in the same time this knowledge made me more focussed.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">I ended up having just an film from 4 of them, one being fogged and 2 of them was actually incorrect exposed as i was lived the dark slide in the camera and at the end of the second film i realised that, still pretty enough with one film to realise that i need to be more precise with the focus and an straight horizontal.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"> Final Shooting Contact Sheets</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">I started exploring the local train stations, Rochester and Chatham, as this are the places often used by the taxi drivers, gathered in the busy times up to 6 - 8 cars on the queue.</span><br />
<span style="font-family: Arial, Helvetica, sans-serif;">I was having choosed to work on the square format Bronica, mainly because of Mamiya problems and i chooses to have ass well 2 type of lenses the normal lens 80 mill and the wide 50 mill.</span><br />
<span style="font-family: Arial, Helvetica, sans-serif;">I was wanting to make more of an envivromental and contextual image of the taxi cars, and a few of snapshots of the taxi drivers, watching still as an subjective eye.</span><br />
<span style="font-family: Arial, Helvetica, sans-serif;">My main focus was to have the technical part sorted straight plan, framing and exposure, but the weather was having a bit of changes having clouds who come and go and suddenly changed my exposure every time, so for the most times i tried to do in the cloudy time my pictures.</span><br />
<span style="font-family: Arial, Helvetica, sans-serif;">I was trying to be as much as descreete i can and still to focus on my subject an thing witch keeper me envolved and i thinck i will practice it more often.</span><br />
<span style="font-family: Arial, Helvetica, sans-serif;">Finally the result i thinck could be better, i was happy with the focus and exposure but i thinck that i need still to work more to make the images straighten.</span><br />
<span style="font-family: Arial, Helvetica, sans-serif;">I was shooting an massive amount of pictures describing more cars and cars queuing rather than drivers portraits, an thing witch i realised that was not really good when i started to print my images.</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">Final Images</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">In general i was trying on my prints to have an contrast between black and white, keeping an nearly same style between them in order to make it an imaging sequence.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhPySeFepEkWIYdXm4alJdbSNZGR32NU5aHbT-oUihG9KUoigS2d7Ft4riRRatdcwup0yaWwe03guzfcHCId-2soqTA_Y2Agi-fNjoyulIBrDjoQxkUe8LVdACN0lTqwfRLEUTIMUruL7HL/s1600/Scan+2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: Arial, Helvetica, sans-serif;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhPySeFepEkWIYdXm4alJdbSNZGR32NU5aHbT-oUihG9KUoigS2d7Ft4riRRatdcwup0yaWwe03guzfcHCId-2soqTA_Y2Agi-fNjoyulIBrDjoQxkUe8LVdACN0lTqwfRLEUTIMUruL7HL/s1600/Scan+2.jpg" height="395" width="400" /></span></a></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">An image describing an taxi driver waiting in his van taxi in front of Chatham train station. He is waiting, reading an local newspaper, an method common amongst drivers, inspired by the tokyo driver of Alfie Goodrich. An moment when he is deeply envolved in other world, waiting in the same time when the others are having a rush.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjw8bEivQQzLqIVg5hdYFfkwfRjfkRq7jRiqbEhMQnLxI5832ImEwF4q4LXdSIZyrLnt7HIzDbskY1NbdDinACf5fKmVIv31e1pe7_xUeem_DttiPMimlyB2m3rpM92Quz828PNVxDach11/s1600/Scan3.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: Arial, Helvetica, sans-serif;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjw8bEivQQzLqIVg5hdYFfkwfRjfkRq7jRiqbEhMQnLxI5832ImEwF4q4LXdSIZyrLnt7HIzDbskY1NbdDinACf5fKmVIv31e1pe7_xUeem_DttiPMimlyB2m3rpM92Quz828PNVxDach11/s1600/Scan3.jpg" height="396" width="400" /></span></a></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">The 2 taxi drivers have an moment of chat in front of the Rochester train station.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">An image inspired by the Alfie image with the queuing drivers waiting and chating.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">In that Alfie image we can see clearly the sky as an other envivroment, reflecting to the wide scale, here i was trying to have only the building in order to be more opened to their job, as they are in the same world as us. An scale witch makes them more accessible to the usual life context.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXHLQSSodJbagBpW4f97Ts7gjjzIJwV3KeZA2EerusLnWM17DSmHJB39bZ9TWY4UoRAR0Wqn__lMxYMFzmuSKvNJ932zfYpL5B4Jqma3nZxQx8iF1tnfuh6ja5sI7uZJJPEXnEosl6Ca_A/s1600/Scan.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: Arial, Helvetica, sans-serif;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXHLQSSodJbagBpW4f97Ts7gjjzIJwV3KeZA2EerusLnWM17DSmHJB39bZ9TWY4UoRAR0Wqn__lMxYMFzmuSKvNJ932zfYpL5B4Jqma3nZxQx8iF1tnfuh6ja5sI7uZJJPEXnEosl6Ca_A/s1600/Scan.jpg" height="400" width="397" /></span></a></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">This image reflects on this representation of young and old, having the same position the same style , same concerns, making the young gentleman to reflect on his position in orther to evolve for a different position in the future. </span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Critical Appraisal</span></div>
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<li style="text-align: justify;"><span style="font-family: Arial, Helvetica, sans-serif;">using more equipment to have an wide variety of images</span></li>
<li style="text-align: justify;"><span style="font-family: Arial, Helvetica, sans-serif;">being more accurate to the technical side framing and straighten especially</span></li>
<li style="text-align: justify;"><span style="font-family: Arial, Helvetica, sans-serif;">doing an more research with different resources</span></li>
<li style="text-align: justify;"><span style="font-family: Arial, Helvetica, sans-serif;">evaluate between other colleagues my project status, and use constructive the feedback</span></li>
<li style="text-align: justify;"><span style="font-family: Arial, Helvetica, sans-serif;">facing 2 major projects Fashion and waste i thinck was a bit too much, as i still try to focus on one of them, and i need to prioritise in order to have an certain amount of work for all projects</span></li>
<li style="text-align: justify;"><span style="font-family: Arial, Helvetica, sans-serif;">an idea witch i haven t explored yet will be to have more of an subjective, envolved approach, i was a bit nervous and shy and couldn`t approach to a long dialogue the drivers</span></li>
<li style="text-align: justify;"><span style="font-family: Arial, Helvetica, sans-serif;">using other time, like evening to approach an quite angle on this project</span></li>
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Anonymoushttp://www.blogger.com/profile/01170937501487847576noreply@blogger.com0tag:blogger.com,1999:blog-2683316413141940638.post-23286110994639101042014-01-20T11:09:00.000-08:002014-01-21T04:19:57.573-08:00RPHC 4003: Body and Object Project<br />
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<span style="font-family: Times, Times New Roman, serif; font-size: x-large;"><b>Body Project</b></span><br />
<span style="font-family: Times, Times New Roman, serif; font-size: x-large;"><b><br /></b></span>
<span style="font-family: Times, Times New Roman, serif;">For my Body Project I had to reflect my work in two parts, two distinctive shoots within the medway area local persons, one project will be envivromental shooting in colour and the other will be in a photographic studio shoot in black and white, both of them are using an medium format camera</span><br />
<span style="font-family: Times, Times New Roman, serif;">I choosed to photograph peoples who are related with art work, involved in visuals, as like photography or painting, so i choosed to approach in local art centre, Nucleus arts centre different artist and have an small chat like an interview.</span><br />
<span style="font-family: Times, Times New Roman, serif;">I had got an deal with an artist who has his painting studio on the first floor of the art centre, called Peter Reeds, </span>http://www.peterreedsartist.com/, and tried to find out his opinion in regarding the artists life in local medways.<br />
He has got some strong belives that every day should start with a nice cup of coffee and should finnish with a coup of tea, he is passionated with the classic music and jazz, and in the spare time he likes to travel, specially Ireland and Scotland, and sea side where he has a lot of inspiration.<br />
He told me that for him the worst thing to do in painting it is an portrait, that in this moment his creativity and art skills are getting limited by the fact that he must reproduce in reality the characteristics of his model, and this is why i tried to represent him not straight looking, but on a side, slightly reflecting to his work.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0g1DVoxZnSqrkFX6HwIvay3y3Gn4QNHAFRLnQ-d48dZGjoU3IiUbd0iq3Oxc2pRc-aJfdOo89PeG8UQsRVVcwiE4fUjkHJzpgmXjC-N0zsWHE7gPVCjxr8DJUGvesFibALgVV2q0BY1Gq/s1600/portrait-of-salvador-dali-1954.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0g1DVoxZnSqrkFX6HwIvay3y3Gn4QNHAFRLnQ-d48dZGjoU3IiUbd0iq3Oxc2pRc-aJfdOo89PeG8UQsRVVcwiE4fUjkHJzpgmXjC-N0zsWHE7gPVCjxr8DJUGvesFibALgVV2q0BY1Gq/s1600/portrait-of-salvador-dali-1954.jpg" height="400" width="312" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5FWRP-9Qu8GcssKsFiaCQW7lSf45cAyMFq3CDslqh4b5zuzm2jOkTwS8tuNptNz6E-AkJ-iNZp5vXaxfZjVbxq8d1FK05163cMLM-bHttbepqfAJ5T8-zdDoNclXAYMPumkhwN4cufgtt/s1600/Constantin-Brancusi-Artist-and-Sculptor-9.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5FWRP-9Qu8GcssKsFiaCQW7lSf45cAyMFq3CDslqh4b5zuzm2jOkTwS8tuNptNz6E-AkJ-iNZp5vXaxfZjVbxq8d1FK05163cMLM-bHttbepqfAJ5T8-zdDoNclXAYMPumkhwN4cufgtt/s1600/Constantin-Brancusi-Artist-and-Sculptor-9.jpg" height="400" width="313" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0-fN15wVTXGL3FQGuAJ8x8VQlE2M7wKJOPwnvBF8YTJNfRouDZ3sHKVeztY_-atwMZChBHFS6npmzjSor5UO-SdYodAuM_CAM5-OQaydZEhPLboHhXLwCtHd5p1d6oceGO_PjAiOIHutx/s1600/van-gogh-self.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0-fN15wVTXGL3FQGuAJ8x8VQlE2M7wKJOPwnvBF8YTJNfRouDZ3sHKVeztY_-atwMZChBHFS6npmzjSor5UO-SdYodAuM_CAM5-OQaydZEhPLboHhXLwCtHd5p1d6oceGO_PjAiOIHutx/s1600/van-gogh-self.jpg" height="400" width="337" /></a></div>
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I tryed to take inspiration from some artists images like Salvador Dali portrait from 1954, </div>
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Constantin Brancusi, a romanian scluptor, student of famous scluptor Rodin, Albert Duhrer self portrait, or the Van Gogh, famous pictures and paintings of artists represented different in time.</div>
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For my studio portrait i choose to shot an local artist, teacher in Ucreative, John Sullivan.</div>
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The ideea behind this shoot was to reflect the fact that he is working in his studio a lot with the technical part, image manipulation, image corrections, so i choosed to recreate in studio an envivroment who willdescribe his studio.</div>
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I used an reflector, and an projector as my main light, and an soft modelling light as an filling light from behind left side, on the slowest power. </div>
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I used an low aperture the 2.8 and an slow shutter speed 1/10 on an 400 iso, in order to compensate the lack of light on the projector.</div>
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My model tryed to be really funny and i get involved in his attitude, even though for me more i like to get an natural pose, to reflect him working in a envivroment for long hours exposing his eyes health for someone else's enjoying his art work.</div>
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But i thought if he takes it in a funny manner than i should represent him funny, as obvious he likes to have an funny mood, and it s enjoying his work.</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOaofOFFffpmZUq4L-5OCrDIOycNoBX6fRhqMsCpeUsEE1m2td7ppHfJOmn1f0GO8ZwUCs6bw5G_z1DxoUCV7bL9MTc1uvBCPMRnS-6S6bp47xwoZsHfaKgoEwCxB2Ro32DeTgqTLjsnVH/s1600/pictures+potrait+indoor003.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOaofOFFffpmZUq4L-5OCrDIOycNoBX6fRhqMsCpeUsEE1m2td7ppHfJOmn1f0GO8ZwUCs6bw5G_z1DxoUCV7bL9MTc1uvBCPMRnS-6S6bp47xwoZsHfaKgoEwCxB2Ro32DeTgqTLjsnVH/s1600/pictures+potrait+indoor003.jpg" height="370" width="400" /></a></div>
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<span style="font-family: Times, Times New Roman, serif; font-size: x-large;"><b> Object Project</b></span><br />
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<span style="font-family: Times, Times New Roman, serif;">For my object project i was reflecting to some ideeas of growing population and planet wickness.</span><br />
<span style="font-family: Times, Times New Roman, serif;">I tryed to to recreate some form of planet inspired by the chiarroscuro workshop, the dramatic lightning and the vegetables used was an starting point. I tryed to use some different forms to represent including an dissection in a cabbage, the ideea witch i finally choosed to use it.</span><br />
<span style="font-family: Times, Times New Roman, serif;">On a day searching in an local charity shop i come across this image of planet dissection, an old representation of planet, witch i choosed to buy it in order to use it on my final image.</span><br />
<span style="font-family: Times, Times New Roman, serif;">I photographed in a studio using lights as a reflected light from slight above in left hand side, and a light hard like the one used in the chiarroscuro workshop from right hand side, slightly not so big in power, just to create a little intrigue.</span><br />
<span style="font-family: Times, Times New Roman, serif;">I find difficult to use the large format camera, as in the first instance i tryed to photograph from above but the weight was getting my camera and lens in a different position so i choosed to use some fishing wire from the uni shop and a couple of C stands in order to keep it lifted, and photographing towards a black background, having a 3 f stops difference for to get an image separation and contrast.</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg9hP1tDzmdrdRalOCuSjzV8_n7UhI8-hAzlLc5QyaS9x34j4VpvuXgb_YKzeGFZM0LDRAcvVmxVKC_CDaWG3hA9Aeso4zOU-AuFd6oeFbNV04tjXq6DEcWk_GBujFPTuTE1r3-y6WOVb6F/s1600/img008.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg9hP1tDzmdrdRalOCuSjzV8_n7UhI8-hAzlLc5QyaS9x34j4VpvuXgb_YKzeGFZM0LDRAcvVmxVKC_CDaWG3hA9Aeso4zOU-AuFd6oeFbNV04tjXq6DEcWk_GBujFPTuTE1r3-y6WOVb6F/s1600/img008.jpg" height="290" width="400" /></a></div>
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<span style="font-family: Times, Times New Roman, serif; font-size: x-large;"><b> Critical Appraisal</b></span><br />
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<span style="font-family: Times, Times New Roman, serif;">In terms of my critical appraisal i was trying to do some improvements and get some better final prints that in my last project, the envivroment, as this ones was not so good colour corrected and focussed.</span><br />
<span style="font-family: Times, Times New Roman, serif;">I realise that i need to interact more with my subjects, this is a thing that i need to work on my fears and personality, and getting confident, in order to get more stories and interesting details.</span><br />
<span style="font-family: Times, Times New Roman, serif;">For my personal impressing, i was had in my object shooting a lot of help from Collin, even though i thought it s a thought guy, who is not so willing to help, he actually helped me with explanations, ideas, and technical details, and support me really much, and now on, i will gonna ask him more questions, and learn to wait for his answer.</span><br />
<span style="font-family: Times, Times New Roman, serif;">The worst things i done, for me in this project was the time mangement, i need to learn to roganise myself and my first priorities things, and to treat with more confident and serious attitude the tasks and the project.</span><br />
<span style="font-family: Times, Times New Roman, serif;">Things that i am really bad it is digital correction, photoshop for instance, and i need to spend time and ask John more on my issues, in order to get learning.</span><br />
<span style="font-family: Times, Times New Roman, serif;">I need to do more english exercise as i am a bit struggling to formulate my ideas in proper english.</span><br />
<span style="font-family: Times, Times New Roman, serif;">And i need, not for last, but the most important to get to know who to make a proper research, and make it in time, as this is a thing witch i am really bad at.</span>Anonymoushttp://www.blogger.com/profile/01170937501487847576noreply@blogger.com0tag:blogger.com,1999:blog-2683316413141940638.post-76188208121912222342013-12-03T01:58:00.000-08:002013-12-09T02:25:20.511-08:00<span style="font-family: Arial, Helvetica, sans-serif;"><br /></span>
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<span style="font-family: Arial, Helvetica, sans-serif;"><br /></span><span style="outline: none;"><span style="font-family: Arial, Helvetica, sans-serif;"><a href="http://catherineelizabethstuart.blogspot.com/2013/10/rphc4002-commission-component-1.html" itemprop="url" rel="bookmark" style="color: #333333; font-size: xx-large; outline: none; text-decoration: none;">RPHC4002 <br />The Commission.<br />The Environment</a></span><div style="font-size: medium; text-align: left;">
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<span style="color: #333333; font-family: Arial, Helvetica, sans-serif; font-weight: normal;"> As my initial idea has not work out, i had to rethink my whole project and start it again. As so i begin to look for inspiration in the local area, Medway Towns, especially in Chatham, for 2 nights; i took a camera and a wide and 50 mill lens to capture some ideas. Walking around i discovered that because the city it is formed on the hill, here are a lot of public footways, some of them stairs and other interesting in shapes.</span></div>
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<span style="color: #333333; font-family: Arial, Helvetica, sans-serif; font-weight: normal;">Having this inspiration i decided to use this idea of shortcut, of places where you can change your course, as this was exactly what i actually begin to do, changing my project idea.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><span style="color: #333333; font-weight: normal;">I found that this project base has a emotional and personal impact, meaning that regardless of situation, you need to </span><span style="color: #333333; font-weight: normal;">rethink, accept that you was wrong, trying to find the bad element, giving a self honest feedback.</span></span></div>
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<span style="color: #333333; font-family: Arial, Helvetica, sans-serif; font-weight: normal;">For me this idea of side road, paths, a different way of approaching means a different perspective and attitude, risk and courage to go into the unknown; the unpredictable.</span></div>
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<span style="color: #333333;"><span style="font-family: Arial, Helvetica, sans-serif; font-weight: normal;">My whole choices in life was more or less different than the straight ones, so finding a challenging approach, for me it is more interesting than the normal way of doing thinks, so i will involve in this project for the challenging part of it, for his adventure meaning.</span></span></div>
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<span style="color: #333333;"><span style="font-family: Arial, Helvetica, sans-serif; font-weight: normal;"> At first for my project i started to experiment with this idea of roads, paths, in 2 different environment, a descriptive on in the city, hihhlighting the particularities and especially the stairs inside medway towns. Second one was a bit of personal touch, an appdoach for more loneliness places, not often used, more on a cistance than the usual used paths inside the town, so i go to the paths living on the city edge, more nearly a wilderness, forgotten by the public majority, could say nearly abandoned.</span></span></div>
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<span style="color: #333333;"><span style="font-family: Arial, Helvetica, sans-serif; font-weight: normal;"> My initial research involve discovering the general roads functions history throught times, focussing on roman times, and discovering a similittude in chatham that the waitling road, was actually called roman road, a remembering of old romanic road to the historic medway.</span></span></div>
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<span style="color: #333333;"><span style="font-family: Arial, Helvetica, sans-serif; font-weight: normal;"> Throughout the times roads have evolved from some really basic forms of paths, unmarked, to developed systems, functionals and a important industry,economy with own rules and authority.</span></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><span style="color: #333333;"><span style="font-weight: normal;"> The basic forms of roads dates way back in history, made by the need of mobility, with a small distance, often made through forests, mainly used by primitive populations, and late by </span></span><span style="color: #333333; font-weight: normal;">professionals, as examples the </span><span style="color: #333333; font-weight: normal;">shepherds.</span></span></div>
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<span style="color: #333333;"><span style="font-family: Arial, Helvetica, sans-serif; font-weight: normal;"> Roads, has evolved in the classicals times, starting by the greeks, formerly roads who connect important cities called polis, Athens, Efes, Byzantion, Sparta.</span></span></div>
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<span style="color: #333333;"><span style="font-family: Arial, Helvetica, sans-serif; font-weight: normal;">The revolution in this domain come in romans times, basically romans organised the roads, and improved them, constructing roads with slaves labours at first as a connection between the empire centre and the capital Rome.</span></span></div>
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<span style="color: #333333;"><span style="font-family: Arial, Helvetica, sans-serif; font-weight: normal;"> <a href="http://www.google.co.uk/url?sa=i&rct=j&q=&esrc=s&source=images&cd=&cad=rja&docid=x7cuVHX_T9XSyM&tbnid=lb9B-dLVcPZ3ZM:&ved=0CAUQjRw&url=http%3A%2F%2Fwww.flickriver.com%2Fphotos%2Fdealvariis%2Fsets%2F72157623519116993%2F&ei=5NicUqbhNIy07Qby1oDABg&bvm=bv.57155469,d.ZGU&psig=AFQjCNE1Ppwnlo1DZYW25lBIjNLTo8I7MA&ust=1386097207361813" target="_blank">Via Appia</a></span></span></div>
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<span style="color: #333333;"><span style="font-family: Arial, Helvetica, sans-serif; font-weight: normal;">Romans build strategically this roads, the unique factor been that they used rocks, bricks from old constructions, and so making a straight pavement witch could be used in all seasons, for a fast mobility of army and in this way the knowledge of making roads was a priority and from now on a science in the roman world.</span></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><span style="color: #333333; font-size: small;"><span style="font-weight: normal;">Also they made this </span></span><span style="color: #333333; font-size: small; font-weight: normal;">quote saying that, ,,All roads leads to Rome"/,, Omnes viae Romam ducunt" in latin, a qoute witch has a larger and older form ,,</span><span style="color: #333333; font-size: 14px; font-weight: normal; line-height: 20px;">Mille viae ducunt homines per saecula Romam", saying that a thousand of roads are all leading people to Rome.</span></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><span style="color: #333333; font-size: 14px; font-weight: normal; line-height: 20px;">This old qoute is coming long way from the Romans Empire pick moment, when they said that a thousand roads, meaning the romans ambitions of constructing the new </span><span style="background-color: white; font-size: 14px; font-weight: normal; line-height: 20px;"><span style="color: #333333;">infrastructure, witch actually was just only 29 of them realised, are all having the central point in capital city Rome.</span></span></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><span style="background-color: white; font-size: 14px; font-weight: normal; line-height: 20px;"><span style="color: #333333;">The importance that romans give to roads is obvious, from this idea of thousands, a concept with helped them control the large empire, and always having a new place for conquering new </span></span><span style="background-color: white; font-size: 14px; font-weight: normal; line-height: 20px;"><span style="color: #333333;">territories, for this porpouse they will go a step further and developing some large projects witch involves the construction of bridges, an example it is the bridge to Dacia, made over Danube river by Apolodor from Damascus, a state of technique and art on that era, long for 135 </span></span><span style="background-color: white; font-size: 14px; font-weight: normal; line-height: 20px;"><span style="color: #333333;">feets, a bridge who helped romans to conquer in 101-102 Dacia, an land full of resource, and rich in gold and silver, and other resources.</span></span></span></div>
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<span style="font-size: small; font-weight: normal;">The reason for speaking about this achievement was, that apart of the importance it had in romans times, it connects to my original project idea, the old roman gold and silver site, in my home country.</span></div>
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<span style="font-size: small; font-weight: normal;">For romans the roads were called ,,via", a term nowadays used to discribe a connecting</span><span style="background-color: white; font-size: small; font-weight: normal;"> city, a general term now, witch in old times has specific city regard, the Rome.</span></div>
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<span style="background-color: white; font-size: small; font-weight: normal;"> Roman knowledge is still available and used widely in road construction, there are 4 principle charactheristics, the curved shape on the edges to drain the water when raining, multilayers pavage, the hight up of the land level and the using of sides water ditches for excesive rainig water.</span></div>
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<span style="background-color: white; font-size: small; font-weight: normal;"> In late roman emperioum times, the eastern part, Byzantium was the one who made the connections between Asia and Europe, the name Silk road, comes from the his main purpose the commerce with silk.</span></div>
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<span style="background-color: white; font-size: small; font-weight: normal;">Byzantines made this long road at first to have their loved silk for clothing, but after this they transports from there, China more precissely, a wide products area, like china porcelain,glass, fine paper, gemstones, gold and silver, guns, and really important spices.</span></div>
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<span style="background-color: white; font-size: small; font-weight: normal;"> After centuries, spices become the main product imported. Spices had that importance, because they were used to preserve food and especially meat,as in that times there was not available the modern tecnologies as fridges or freezers. The ones who made this travel were now europeans, most of them living in Venice, were called Negozi di Venezia, shoppers from Venice.</span></div>
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<span style="background-color: white; font-size: small; font-weight: normal;">Because of the expensive travelling and most because of the struggle to match the increassing borders taxes, to increase profit, they started to find a new road.</span></div>
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<span style="background-color: white; font-size: small; font-weight: normal;">This new road will be through sea, this the moment of the Discovering Era, now is discovered India, nearly than China, and reach in resources and obviously in spices and preservers.</span></div>
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<span style="background-color: white; font-size: small; font-weight: normal;">As we can see, the roads, sometimes have a side road, a challenge who can end up in a nice prize, an advantage, India at first in our case, a way to highlight the importance of this calculated and assumed risk.</span></div>
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<span style="background-color: white; font-size: small; font-weight: normal;"> The modern roads starts again in 18 th century, with pavage made with rocks and helped by cement and sand a technique called macadam.</span></div>
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<span style="background-color: white; font-size: small; font-weight: normal;">The revolution of technique, used even today, come in late 19 th century, and it was called asphalt.</span></div>
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<span style="font-size: small;"><span style="font-weight: normal;">Asphalt was composed of bitum and sand, bitum was used in state of cement.</span></span></div>
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<span style="font-size: small;"><span style="font-weight: normal;">Bitum and his properties were well known from antique times, first used in Mesopotamia, nowadays Iraq.</span></span></div>
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<span style="font-size: small;"><span style="font-weight: normal;">In 1867 Charles Tellier, an ingenier was used on a macadam surface a mix of gudron and sand pressed under steamed compressors</span></span></div>
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<span style="background-color: white; font-size: small; font-weight: normal;"> After the first world war, in italian city Milano, was built the first modern highway, an italian iniative not american as often it is said, using modern features like lane separators, wide lanes and wide angle road virages.</span></div>
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<span style="background-color: white; font-size: small; font-weight: normal;">All this because of a simple reason, Milano was the industrial car makers center, and by making this highway, that was their way to encourage more costumers to buy their expensive cars.</span></div>
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<span style="background-color: white; font-size: small; font-weight: normal;">I started my visual research with my first image from Edward Burtinsky art project called Oil, an image of landscape who reveal a rough s shape, more like an angle s, witch make me think of a road, with a deep perspective who was reduced his round form to edges, from curve to straight lines, a symbol of transforming, in the industrial era, </span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhjVuh3gqU5BJTBxnI-k2Pd1D14mas_-0A_jZZVFwqGHeMJIVFGRuzicVtHLR82qHXoB5kzl6lZei35RIwQJZJ3J9iI2wbrQkUwCkvLk_khYmCjeYMex2V5T-RS1vqITyPLcK5QMuMtOfc_/s1600/OLF_22_01.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhjVuh3gqU5BJTBxnI-k2Pd1D14mas_-0A_jZZVFwqGHeMJIVFGRuzicVtHLR82qHXoB5kzl6lZei35RIwQJZJ3J9iI2wbrQkUwCkvLk_khYmCjeYMex2V5T-RS1vqITyPLcK5QMuMtOfc_/s1600/OLF_22_01.jpg" height="318" width="400" /></a></div>
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<span style="font-size: small;">In contrast with the image above i found this one, in the art project called Homesteads, a really calm, with the same wide opening idea, but more delicate, a subtile form of wilderness, a beautiful one, even though we can see that there are a lot more forest cut, probably you can say that 3 qouarters of the original forest missing, a sad aspect.</span></div>
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<span style="font-size: small;">Although we have this sad aspect, i find it really welcoming, in terms of colour and framing, the eye catcher at first can be the red </span><span style="background-color: white;"><span style="font-size: small;">ceiling of that tiny house, a huge contrast with the surrounding envivroment, but after some seconds my mind investigate that road, his starting point and obviously the end. We can dream, and feel free to choose any of the </span></span></div>
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<span style="background-color: white;"><span style="font-size: small;">paths, or follow the road, having some difficulties causing that river obstacle, and more important the hope we see nearly the far mountains and horizon line, that road who trespass the road again after the trees line, an fact that others has adventured in this trip and pass it.</span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOGoPfuGuyMxp5qeJjbUz9GE3qUSIhh-JUekWtUJGiSoOqDgfF9Xq5GqbmDhtxQJskF15iE5kJKbqmxF0GjD9kUy6QJqeJ5KHJTFWX8FhExBRRrfpTYRIaK6sccu-iNvZ7NW6pQsQ1u54f/s1600/homesteads.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOGoPfuGuyMxp5qeJjbUz9GE3qUSIhh-JUekWtUJGiSoOqDgfF9Xq5GqbmDhtxQJskF15iE5kJKbqmxF0GjD9kUy6QJqeJ5KHJTFWX8FhExBRRrfpTYRIaK6sccu-iNvZ7NW6pQsQ1u54f/s1600/homesteads.jpg" height="318" width="400" /></a></div>
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<span style="font-size: small;">An image i found quite in the same approaching in the Hudna art project of Simon Roberts, an image who speak about other idea, but the representation of the road has the same base, with that dreamy feeling of unknowing the end of it. I choose to speak about this image as i found it inspiring in my inspiration resources, even though here the road has a secondary importance, and it is in the lower part, obviously a disadvantage who suggest us, like the showing hand in the above part to investigate for the main subject and meaning, more like a psychological approach.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgi0YMSe1bdvoU7rS1PPPhXZvF1aBBAYFmFzDBRi0AxIGdoGVsijte8gkkFCUFg_Tb5KtZ4taEh8ERWlldXQJ8IwNQAGenLzFSidKBmnRds6ThtWgUXx6-yYgqtcE_t20kovf3k283-L2ew/s1600/Simon_Roberts-The_Hudna-02.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgi0YMSe1bdvoU7rS1PPPhXZvF1aBBAYFmFzDBRi0AxIGdoGVsijte8gkkFCUFg_Tb5KtZ4taEh8ERWlldXQJ8IwNQAGenLzFSidKBmnRds6ThtWgUXx6-yYgqtcE_t20kovf3k283-L2ew/s1600/Simon_Roberts-The_Hudna-02.jpg" height="400" width="400" /></a></div>
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<span style="font-size: small;"><span style="font-weight: normal;">This one it is a image from the Polyarnye Nochi, meaning winter nights, of Simon Roberts, taken in 2005 in Northern Russia.</span></span></div>
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<span style="font-size: small;"><span style="font-weight: normal;">The colour it has a cod mood, unwelcoming, especially in the down side, the trees are on a shadow. You can almost guess the temperature, a couple degrees under zero, is like that nice place, witch you wannna see it only in summer.</span></span></div>
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<span style="font-size: small;"><span style="font-weight: normal;">Despite this coldliness we have some positive things over there, that mountain covered in a gorgeous snow, highlighted by the a smooth sunshine, this light puts the mountain in the subject area and gives us a positive feeling.</span></span></div>
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<span style="font-size: small;"><span style="font-weight: normal;">The road has that s sneaky shape leading to an industrial place and we can suppouse that the terminus point it is actually the mountain pick, but we can see that now no one has the courage to hike it.</span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjHYtsS-TcLEhj8YinKFmhqQjxfUFTmtUyPPcp1ETrw4bgHMkrVjqt_3QzMWkJ3aKWYJGH1vsDN-7yPK9p2XJaEloqkucQ2cNHuRvbxgXQo5JEZhiobrdLrB1yxQuNfwg-s1wYoUmt_wegl/s1600/Simon_Roberts-Polyarnye_Nochi-14.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjHYtsS-TcLEhj8YinKFmhqQjxfUFTmtUyPPcp1ETrw4bgHMkrVjqt_3QzMWkJ3aKWYJGH1vsDN-7yPK9p2XJaEloqkucQ2cNHuRvbxgXQo5JEZhiobrdLrB1yxQuNfwg-s1wYoUmt_wegl/s1600/Simon_Roberts-Polyarnye_Nochi-14.jpg" height="315" width="400" /></a></div>
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<span style="font-size: small;"><span style="font-weight: normal;"> This image is fdom the project We English of Simon Roberts, a plain and straight view of a river road, an subtile road, with a little twist of s shape, more curved, situated somewhere on the edge of the city.</span></span></div>
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<span style="font-size: small;"><span style="font-weight: normal;">The most important thing i learn fro this image it is the artist position in relation to his subject, in control but really distant objective, waiting for the right moment, calm, this approach i want to usd and hopsfully transfer in my images.</span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjzZQIMJY4AAhzGKPGjJ37xp47bgVFsi33BrEjVsSuEV0yGI3hqFU_eZBeY5Ydn0p_G_Eybok4meeq3bHIuj0DVe5QM44y_97pnGOYtryOhqLP-BCzdWG-ZrwYWrx39z7e3cOrQH8MO2d4Q/s1600/Simon_Roberts-We_English-10.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjzZQIMJY4AAhzGKPGjJ37xp47bgVFsi33BrEjVsSuEV0yGI3hqFU_eZBeY5Ydn0p_G_Eybok4meeq3bHIuj0DVe5QM44y_97pnGOYtryOhqLP-BCzdWG-ZrwYWrx39z7e3cOrQH8MO2d4Q/s1600/Simon_Roberts-We_English-10.jpg" height="316" width="400" /></a></div>
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<span style="font-size: small;"><span style="font-weight: normal;">This one is part from the same project, We English, but it has a different subject, here we have a road leading to the hill pick, a well described road, with an human sillhouete, and an well known starting and terminus point. For me this approach to the road shape is too descriptive, but i am willing to use this approach as i like how it works in the general picture, perhaps more of the that man, for me in this way it making sense as it discribe the human long and hight road he make in order to achieve his goal.</span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQj4tteXbBEhl461pUN8CX1lfewhOb4bUAC9SGOA4f8f9iq0JHol8qdKLb704RFAbf0k3KutTn6ZXXMY4DTPbNPUmaRu4nBUMKLOr3HZ1fyQ1ewAd97OnqotuDT_EjDFjRxxKFCEy4xsCf/s1600/Simon_Roberts-We_English-21.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQj4tteXbBEhl461pUN8CX1lfewhOb4bUAC9SGOA4f8f9iq0JHol8qdKLb704RFAbf0k3KutTn6ZXXMY4DTPbNPUmaRu4nBUMKLOr3HZ1fyQ1ewAd97OnqotuDT_EjDFjRxxKFCEy4xsCf/s1600/Simon_Roberts-We_English-21.jpg" height="316" width="400" /></a></div>
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<span style="font-size: small;"><span style="font-weight: normal;"> The next 3 images are from the Simon Roberts The Election Project, and involve peoples in an urban, neigborhood.</span></span></div>
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<span style="font-size: small;"><span style="font-weight: normal;">I choose them because i thought anout the interaction with peoples and if it will be a positive thing if i will include peoples or their silouhettes in the envivromental images, as part of the envivroment, as creators.</span></span></div>
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<span style="font-size: small;"><span style="font-weight: normal;">I know that if i include humans this could transform a lot even can change the original subject, so at the end kf the day i choose not to use humans, as my brief include envivroment, and this will help focus the subject and keep it clear ffom any alterations.</span></span></div>
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<span style="font-size: small;"><span style="font-weight: normal;">The first image is looking ideal as it has that human factor and my main s shaped road, a type of road i like the most as it has that portion of dreaming, mystery and perhaps a fairytale behind it, waiting to be discovered.</span></span></div>
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<span style="font-size: small;"><span style="font-weight: normal;">The other 2 are more flat in therms of road shape, something pretty common to roads in Medway area, a detail to be considered for my approach.</span></span></div>
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<span style="font-size: small;"><span style="font-weight: normal;">In terms of the city scape first 2 we can definetly say that they are on the edge, maybe more outside in the first one, but definetly on the edge of the city, an aspect witch represents one of my initial ideas.</span></span></div>
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<span style="font-size: small;"><span style="font-weight: normal;">The last one it is straight on the city landscape, a more common and approchable situation, but as we can see, hard to represent due to the peoples presence.</span></span></div>
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<span style="font-size: small;"><span style="font-weight: normal;"> The next 3 pictures are Edward Burtinsky work, part of the project Oil, and the second one from the China project. All of them are illustrating an industrial scale, an approach witch i found to be really interesting to think as, but witch will not apply to my idea, even though i thought to use these part to introduce in my image an actual road, as a reminder of time and place, just to give an initial context.</span></span></div>
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<span style="font-size: small;"><span style="font-weight: normal;">This image is form Edward Burtinsky ass well, part of the project Homesteades, even though it illustrate homes nearby an wonderful envivroment, it has that attraction for me, the mystery and shape of the road makes finding it really impressive.</span></span></div>
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<span style="font-size: small;"><span style="font-weight: normal;">We can see a similiarity to the russian landscape from Simon Roberts, with the same part of road who is leading to the </span></span><span style="background-color: white; font-weight: normal; text-align: left;"><span style="font-size: small;">mountains through the subject, in this case the houses, but this representation it is more soft feeling, been properly illuminated and having a more closer look.</span></span></div>
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<span style="font-size: small;"><span style="font-weight: normal;"> I chossed this image from Mark Power project Different endings, because is a similar descriptive looking to normal sideroads and roundabouts are in UK.</span></span></div>
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<span style="font-size: small;"><span style="font-weight: normal;"> It has a sad </span></span><span style="background-color: white; font-weight: normal; text-align: left;"><span style="font-size: small;">autumn feeling, more like an abandoned place, witch makes you interrogate his state.Even though is facing straight the middle with the roundabout and the blue sign it has a pacefull view. And more interesting this blue sign it is like helping the contrast an just adding seasoning to nice soft food.</span></span></div>
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<span style="font-size: small;"><span style="font-weight: normal;"> The next image is from Mark Power same project, a more nearly approach with my intention, on the side edge of the city, being following the road in a mystery, and especially indicated that this is the subject by the side trees.</span></span></div>
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<span style="font-size: small;"><span style="font-weight: normal;"> My last but not least image ass well from Mark Power same project, it illustrating a more calmed part, an kind of aestethical side, more likely to be compared to pitoreque, giving you a nice feeling calm and inviting to have a little of reflective moments.</span></span></div>
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<span style="font-size: small;"><span style="font-weight: normal;"> I started to search for same places locally and by travelling physical in the Medway Towns, some place i found them using Google maps, here i have some prinscreens of the places that i visited and made some pictures on.</span></span></div>
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<span style="font-size: small;"><span style="font-weight: normal;"> My first project ideal location were looking like the ones underneath, i was actually discovered afterwards the new locations so i decided to live this idea as a plan b.</span></span></div>
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<span style="font-size: small;"><span style="font-weight: normal;"> My final images come out to be this ones, made in the proximate of Rochester airport, near Asda shopping center in Chatham, and on the Caperstone road.</span></span></div>
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Anonymoushttp://www.blogger.com/profile/01170937501487847576noreply@blogger.com0tag:blogger.com,1999:blog-2683316413141940638.post-73027092814194672142013-10-15T05:12:00.001-07:002013-11-18T09:37:25.269-08:00Enviroment Project<h2>
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<span style="font-size: small;"> </span><span style="color: red;">Rosia </span><span style="color: #38761d;">Montana</span></h2>
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When i think about landscape and enviroment i think about green, as a colour, but in this project i want to speak about red, cyanide red.<br />
My main subject it is the Rosia Montana Mine Project, back home in romanians mountains.<br />
This hystorical mine is living here since ancient romans times, and been primarely a village who`s main occupation was gold minning.<br />
His heritage and hystorical importance it is really important and should be include in the international heritage of U.N.E.S.C.O, but unfortunently, there are different interests in this area.<br />
An Canadian Group, called Gabriel Resources has managed to stop the minning in the ancient way, and formed a company witch want to transforme all the mountains around and the village of Rosia Montana in an huge open pit mine, the largest mining project in Europe who will damage the enviroment and the traditional roman myne and mountains surrounding.<br />
I choose to do this project about the Rosia Montana, as a trully involved activist against this project witch i belive will ruine a traditional village, the first documentary attested for more the 2000 years and the surrounding nature.<br />
For me my main issue will be the distance between me and the site so i choose to do somethinght on a canvas and take a picture in a near enviroment.<br />
Since late august this year the romanian govenment approved a special law, who allow for a particullar company to make digging and exploatation in the area, thousands of romanians protests in the capital city Bucharest in the local community and world wide in european cities souch as London, Berlin, Paris.<br />
Here it is a video from the Berlin protest in sunday 13 oct <br />
<a href="http://www.youtube.com/watch?v=B29jMzBpaSM&list=UUeLvVksw60chgm2Z2eFbr7Q">Berlin Sunday</a><br />
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<a href="http://www.independent.co.uk/news/uk/home-news/romanians-protest-in-trafalgar-square-against-cyanide-mining-in-rosia-montana-8847614.html">An article about the protests in London</a><br />
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<a href="https://www.facebook.com/#!/photo.php?fbid=607167259306067&set=a.607166675972792.1073741829.100000383948592&type=3&theater">An image realized by me on the London protests</a><br />
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<a href="http://www.youtube.com/watch?v=TBj7YUe7dHg">A human chain made in front of the House of People, romanian government HQ, by the protesters</a><br />
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<a href="http://www.youtube.com/watch?v=u61VW3BSSTQ" target="_blank">A Flash Mob in Lonon for Rosia Montana</a><br />
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<a href="http://www.youtube.com/watch?v=fI5J6tCk-1I">A classic music concert played in the middle of protesters</a><br />
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<a href="http://www.youtube.com/watch?v=BLw3uqQQpek">A big marche of protesters</a><br />
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My main inspiring resources will be classic painting and contemporary photography projects.<br />
The first painting it is the Romantique Goustave Courbet Painting, <span style="font-family: inherit;">Un entrement a Ornans, roughly 1850,</span><br />
3 by 6.6 meters.<br />
<a href="http://www.google.com/culturalinstitute/asset-viewer/jwESwQ4qvb87oQ?projectId=art-project&hl=en-gb#!asset-viewer:l.id=jwESwQ4qvb87oQ&projectId=art-project&hl=en-gb&urlStub=A%20Burial%20at%20Ornans">Funeral at Ornans</a><br />
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This painting was made by Courbet after he participate at a familly member funeral, witch impress him, especiall the attitude of the people who take part in this event. He speak about dignity, natural behaviour and the human kind, he is impressed by the fact that mostly of the people were there just to make a presence act, not because they was involved somehow in that man`s life or that they regret his death.<br />
Even the priest seems that he has just a role to play not a duty, his little helping childrens has different interest and even the dog it looking behind, actually we can not see the burried person, because the accent it is on the participants, really obvious, and the clothe choosed are black witch make a bigger contrast.<br />
The funeral moment is near the sunshine, really dark, especially for this contrast, and the background it is real simple. We have also somethinght really special in the background, Christ on the cross, witch sits literraly on a side, like he is not involved in the event.<br />
What impress me in this painting, his meaning, it is like a protest to the attitude, a reflective thinking, witch i want to use in my canvas painting, will be the slightly unsure position of this people, used in my painting more as a silohuette, and the cross, witch for me and the romanian culture it has special mening.<br />
I will use the cross in my composition, as a church meaning, because the Romanian Orthodox Church has been the only one who made a viewpoint regarding this mining project, but they are not involved in any sort of protest or atittude, they basically made this viewpoint as a commercial atittude.<br />
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The big part of the canvas will be inspired from 2 pictures, one reflecting a village who is floating in the cyanide dom, made by a romanian photographer, Adrian Petrisor who reflect on the image of disaster and cyanide red colour<br />
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<a href="http://luptapentrurosiamontana.files.wordpress.com/2012/01/satul-geamana-de-langa-rosia-poieni.jpg" target="_blank">Rosia Montana church</a><br />
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The other image will be of a old copper mine near the Rosia Montana, witch was an open pit mine, made in the communist era, witch destroyed the enviroment and the mountain and live a big hole and a poluted lake<br />
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<a href="http://voxpublica.realitatea.net/politica-societate/dealul-lui-ungureanu-si-groapa-romanilor-bonus-mru-si-rosia-montana-76780.html/attachment/rosia-poieni" target="_blank">this is a image of who it looks now</a><br />
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I will try to use colour in a pure raw colour, especial red and green to highlight the importance of them,usually used as signs red as danger, green as a positive, to create a contrast and obviously using red as a danger warning and cyanide hazard.<br />
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<br />Anonymoushttp://www.blogger.com/profile/01170937501487847576noreply@blogger.com0